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الصفحة 204
presents such a closed face to the world that it is invulnerable to invasion and remains always " untouch'd , ” a self which may appear to travel and undergo changes in location and situation , but in fact never moves at all ( “ Ben ...
presents such a closed face to the world that it is invulnerable to invasion and remains always " untouch'd , ” a self which may appear to travel and undergo changes in location and situation , but in fact never moves at all ( “ Ben ...
الصفحة 223
... which remains the most authoritative account to date , are made precisely in these terms . The “ transformation scene , ” as he calls the transition from the anti - masque to the main masque , is not motivated by the text ...
... which remains the most authoritative account to date , are made precisely in these terms . The “ transformation scene , ” as he calls the transition from the anti - masque to the main masque , is not motivated by the text ...
الصفحة 237
The masque explicitly and deliberately turns away from the king and from court reality , and remains locked in its own allegory , the ideal world where only beauty is served , into which the audience is also admitted .
The masque explicitly and deliberately turns away from the king and from court reality , and remains locked in its own allegory , the ideal world where only beauty is served , into which the audience is also admitted .
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المحتوى
The Double Plot in Volpone | 9 |
The Allusiveness of Epicoene | 23 |
Jonsons Dramatic Poetry | 35 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actual already antimasque appears attempt audience authority become beginning body characters circle claim comedy course court critical death described divine effect English epigram example face fact Fair festive figure finally follows folly give grace heaven human imitation James John Jonson judgment justice kind king Lady language later less literary live look masque master means mind moral nature never object once opening pattern perfect performed perhaps person play plot poem poet poetic poetry political praise present prince problem provides question reason relation remains represent Revels satire scene seems Sejanus sense shows social society soul speak speech stage style suggests thee things thou thought tradition true turn University verse virtue Volpone whole writing
معلومات المراجع
| العنوان | Ben Jonson Modern critical views Modern literatures in perspective |
| المُحرر | Harold Bloom |
| المساهم | Harold Bloom |
| الناشر | Chelsea House Publishers, 1987 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 8 آذار (مارس) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 1555462766, 9781555462765 |
| عدد الصفحات | 255 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |