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الصفحة 202
It would seem therefore that he is no more a social poet than he is ( except in a very special sense ) a plain - style poet , and for the same reason . The plain style , as Wesley Trimpi and others have taught us , is particularly ...
It would seem therefore that he is no more a social poet than he is ( except in a very special sense ) a plain - style poet , and for the same reason . The plain style , as Wesley Trimpi and others have taught us , is particularly ...
الصفحة 210
Rather would the Neoclassicist employ forms and styles of modes of discourse having certain quasi - musical effects upon the reader , perhaps , but more clearly serving as a ... and the mode or style proper to it , becomes a moral one .
Rather would the Neoclassicist employ forms and styles of modes of discourse having certain quasi - musical effects upon the reader , perhaps , but more clearly serving as a ... and the mode or style proper to it , becomes a moral one .
الصفحة 222
It was not a matter for Hardy of finding a voice by searching for style and form , but of singing as many songs as possible . Hardy's vast formal and structural repertoire exerted , as by his own frequent admission , a considerable ...
It was not a matter for Hardy of finding a voice by searching for style and form , but of singing as many songs as possible . Hardy's vast formal and structural repertoire exerted , as by his own frequent admission , a considerable ...
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المحتوى
The Double Plot in Volpone | 9 |
The Allusiveness of Epicoene | 23 |
Jonsons Dramatic Poetry | 35 |
حقوق النشر | |
10 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action actual already antimasque appears attempt audience authority become beginning body characters circle claim comedy course court critical death described divine effect English epigram example face fact Fair festive figure finally follows folly give grace heaven human imitation James John Jonson judgment justice kind king Lady language later less literary live look masque master means mind moral nature never object once opening pattern perfect performed perhaps person play plot poem poet poetic poetry political praise present prince problem provides question reason relation remains represent Revels satire scene seems Sejanus sense shows social society soul speak speech stage style suggests thee things thou thought tradition true turn University verse virtue Volpone whole writing
معلومات المراجع
| العنوان | Ben Jonson Modern critical views Modern literatures in perspective |
| المُحرر | Harold Bloom |
| المساهم | Harold Bloom |
| الناشر | Chelsea House Publishers, 1987 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 8 آذار (مارس) 2008 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 1555462766, 9781555462765 |
| عدد الصفحات | 255 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |