Then the gruff grim carle1 girned2 amain, Till he lapp'd the blood of the kingdom dear,1 She looked again and the scene was new. She saw before her fair unfurl'd, Burst from their bonds like fiends of hell,10 And she herkèd on her ravening crew, Till the cities and towers were wrapt in a blaze, And the thunder it roared o'er the lands and the seas. The widows they wail'd, and the red blood ran, And she threaten'd an end to the race of man; 1 Fellow. 2 Grinned. 4 Charles the First's. 6 The Union of the three Kingdoms. 3 War (rebellion). 5 Proof. 7 The Covenant persecution. These are the evil days of the later Stewarts. 8 Scorned. 9 Earnest or pledge. 10 The excesses of the first French Revolution. 11 The badge of the French monarchy. 12 The badge of the French Emperor. 13 Bent. But flew she north, or flew she south, She met wi' the gowl of the lion's mouth.1 With a mooted2 wing and waeful maen, But lang may she cower in her bloody nest, To play wi' the northland lion's might. But to sing the sights Kilmeny saw, The singer's voice would melt away, And the string of his harp would cease to play; Till the stars of heaven fled calmly away, Then Kilmeny begged again to see The friends she had left in her ain countree, The loved of Heaven, the spirits' care, With distant music, soft and deep, And when she awaken'd, she lay her lane, 1 The great war between Britain and France. And O, her beauty was fair to see, In that mild face could never be seen. And her cheek the moss-rose in the shower, That floats along the twilight sea. But she loved to roam the lonely glen, The wolf played blithely round the field, Broke from the boughts and faulds the tame, 1 Scarf. 2 Hawk. 3 Thrush. 4 Crow. The wolf and the kid their raike began, The tod1 and the lamb and the leveret ran, The hawk and the heron around them hung, And the merle2 and the mavis brought their young ; It was like an eve in a sinless world! When a month and a day had come and gane There laid her down on the leaves sae green, THE LONDON OF CHARLES I. From "Prince Rupert and the Cavaliers." ELIOT WARBURTON. Born, 1810; Died, 1852. 1620-1645. Mr. Warburton was the writer of a book of Eastern travel"The Crescent and the Cross "'—as well as of this history. He was lost in the steamer Amazon. THE London of the Cavaliers differed as much socially, as architecturally, from its gigantic successor in our time. It then possessed so formidable an influence in the affairs of the empire, that to any enemy but the enemy of the King, its occupation would probably have decided the contest. The vast wealth, power, and intelligence, that now render all England vital, were then very much concentrated in the narrow and dirty, yet picturesque streets of the old capital. At that period, one bridge, eight hundred feet long, with a drawbridge in the middle, sufficed to connect the fields and villages on the southern bank of the Thames with the dense city that in 1600 was composed entirely of wood. The streets, as we find them in old prints and paintings, were as narrow at the basement as those that now bid defiance to an omnibus, and far narrower above; for the black and white half wooden house beetled over the lower stories, till they sometimes almost encountered their neighbour over the way. The façade of each street, broken, confused, and picturesque as those of part of Chester, were still further varied by the numerous sign-boards that swung above each doorway. These were considered necessary appendages of every shop and lodging-house, so as to catch the eye of the illiterate passengers, and rivet it when caught. A long street on a windy day looked like a great fluttering picture gallery, in which all animated nature, and many monsters were depicted; lions and swans of every colour, dragons and unicorns of every shape flaunted in the air. In the warehouse beneath, and the eating houses, very curious articles of apparel and luxury shewed dimly through the dull and narrow panes, or appealed to the appetite with very different luxuries from ours. On the outspread board, though devoid of linen or of three-pronged forks, were often to be seen the flesh of wild beeves and bustards, and sometimes even of that royal favourite, the boar; cygnets and herons, too, had no business there, being rigidly preserved, but there they were; inanimated fish, carp and tench, and roasted chub; and there were manchets and marchpane, ollas and dishes of hangoin, flanked by large flasks and "choppins" of canary and sherries-sack; but no tea, coffee, or chocolate, asparagus, lettuce, or cauliflower, till 1660. The customers, too, were very different in externals, from those who now throng the same streets with the same |