The Forms of Feeling: Toward a Mimetic Theory of Literature

action activity actual aesthetic analysis appears Aristotle assume attempt aware become begin believe cause CHAPTER character Christian close complex concept conventional course create criticism define depend describe determined distinctive distinguish drama effect emotion English equal existence experience express fact fear feeling fictive follow formal function genres Hamlet hand human idea imitation individual inferred involves kind language linguistic literary literature matter meaning merely meter method mimesis mimetic mind moral nature never norm object once particular passage pattern perception person pity play pleasure poem poet poetic poetry possible precise principle problem produced purely question reader reading reality refers relation representative response rhythm rhythmic seems sense Shakespeare signs sort soul speak spectator speech stress structure syllables symbol temporal theory things thought tion tragedy tragic understand verse whole York