A Short History of English Versification from the Earliest Times to the Present Day: A Handbook for Teachers and Students

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Norwood Editions, 1911 - 396 من الصفحات
 

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المحتوى

Kögel
68
according to their Composition
75
Types 110 Sievers
83
Types 3110 Sievers
90
Types 7188 Sievers
96
The Relation of the first HalfLine to the Second
103
133
105
Lazamons Brut
107
Schwellverse Lengthened Lines
109
Crossed Alliteratlon
117
How frequently the various Sounds alliterate
123
Influence of Foreign Models in ME
129
The old Verse Types in Brut
133
Alliteration in Brut 110 Rime in Brut
135
a Schipper 112 b Trautmann 113 c Luick
137
Lazamons Verse has four Members
138
Proverbs of Alfred
140
Rhythmical Structure of King Horn
142
Views of Wissmann Luick and Schipper
144
120 b The French Verse of Eight Syllables
146
The ME Short Rimed Couplet
147
Havelok
148
Difference between Verse of four Bars and Verse of four Members
149
Difference between ME Short Rimed Couplet and Latin and French Verse of Eight Syllables
150
The Short Rimed Couplet of Genesis and Exodus
151
The Septenary Rimed Couplet
152
The Latin Septenary
153
Poema Morale
154
129 Orrmulum
157
On God Ureisun 8 131 De Muliere Samaritana
162
Passion of Our Lord
163
Josephslied
164
Interchange of various kinds of Verse
165
Stanza Formation
167
a Masculine Rime 137 b Feminine Rime
168
c Gliding Rime 8 139 Broken Rime
169
Rime of Unstressed and weakly Stressed Syllables
171
Impure Rime
173
Assonance 143 Inexact Rime
175
Identical Rime
176
Different kinds of Identical Rime
177
Identical Rime cont
179
Double Rime 149 Frequency of Identical Rime
180
Position of the Rime
183
b The Central ME Period 12501370
184
The Short Rimed Couplet
185
Septenaries in Rimed Couplets
186
Verses with one two and three Bars
188
The Alexandrine
189
a Skeat Schipper Luick
192
b Rosenthal Trautmann etc Kuhnke Bunzen
195
Rhythmical Structure of ME Alliterative Verse
199
Alliteration in ME
203
Stanza Structure
205
The Unity of the Stanza
206
Concatenatio
207
164 Refrain 165 Classification
208
Thirteenline Stanza a babababydddc
223
Tailrime Stanza 177 Sixline Tailrime Stanza
225
Twelveline Tailrime Stanza
228
Eightline and Sixteenline Tailrime Stanzas
230
a a a b ab
232
c Late ME Period 13701500
233
Rimebreaking and Enjambement
234
Sir Thopas
235
Gowers Barbours and Lydgates Short Rimed Couplet
238
Heroic Verse
239
n cont
241
Origin of Heroic Verse 189 Rhythmical Structure of Chaucers Heroic Verse
246
Wordstress in Chaucers Heroic Verse
249
Caesura in Heroic Verse
252
Enjambement and Rimebreaking in Heroic Verse
254
Chaucers use of Rime and Alliteration
256
Chaucers Sevenline Stanza
257
Chaucers Eightline Stanza
258
Hoccleve
259
Lydgate
260
Scotch Poets
261
Septenary and Alliterative Verse
263
Stanza Construction
264
Section III
266
Influence of Linguistic Alterations on the Regu larity of NE Verse
267
170
268
Generally Masculine Verseending
269
Rising and Falling Rhythm
270
Influence of Foreign Models on NE Verse
271
Wordstress and Versestress Inverted Accent Hovering Accent
272
Quantity
277
Temporal Uniformity Coincidence of Foot and Word
281
Rime and Alliteration
284
The Septenary
287
The Alexandrine 213 Heroic Verse
288
Fourbar and Fourbeat Verses
296
Verses of one two and three Bars
301
Blank Verse
303
Shakespeares Blank Verse
305
Dramatic Blank Verse before and after Shake speare
313
Miltons Blank Verse
314
Blank Verse in XVIII and XIX Centuries
316
Trochaic Verse
321
Anapaestic Verse
325
Dactylic Verse
328
The Hexameter
331
Walt Whitman
335
245
338
Poulters Measure
341
Common Metre
345
a
346
Elegiac Stanza
347
In Memoriam Stanza
348
Stanzas of Eight and Twelve Lines
350
The Tailrime Stanza
351
207
389
213
390

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الصفحة 311 - What private griefs they have, alas, I know not, That made them do it : they are wise and honourable, And will, no doubt, with reasons answer you.
الصفحة 310 - It blesseth him that gives, and him that takes. 'Tis mightiest in the mightiest: it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
الصفحة 370 - Behold, where Dryden's less presumptuous car, Wide o'er the fields of glory bear Two coursers of ethereal race, With necks in thunder clothed, and long-resounding pace.
الصفحة 347 - The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; — Save that from yonder ivy-mantled tower, The moping owl does to the moon complain Of such as, wand'ring near her secret bower, Molest her...
الصفحة 312 - twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire and rifted Jove's stout oak With his own bolt, the strong-bas'd promontory Have I made shake and by the spurs pluck'd up The pine and cedar; graves at my command Have wak'd their sleepers, op'd and let 'em forth By my so potent Art.
الصفحة 366 - The City's voice itself is soft like Solitude's. « I see the Deep's untrampled floor With green and purple seaweeds strown; I see the waves upon the shore. Like light dissolved in star-showers thrown: I sit upon the sands alone; The lightning of the noontide ocean Is flashing round me, and a tone Arises from its measured motion, — How sweet...
الصفحة 378 - A mighty mass of brick, and smoke, and shipping, Dirty and dusky, but as wide as eye Could reach, with here and there a sail just skipping In sight, then lost amidst the forestry Of masts; a wilderness of steeples peeping On tiptoe through their sea-coal canopy; A huge, dun cupola, like a foolscap crown On a fool's head - and there is London Town!
الصفحة 315 - Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the...
الصفحة 322 - Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains...
الصفحة 365 - THIS is the month, and this the happy morn, Wherein the Son of Heaven's eternal King, Of wedded Maid, and Virgin Mother born, Our great redemption from above did bring...

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