Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 من الصفحات |
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الصفحة 5
... French neoclassicism during its formative period ; they returned with French ideas and tastes . The Restoration coincided with the brilliant , if despotic , reign of Louis XIV ; and it was natural in England , as in other parts of ...
... French neoclassicism during its formative period ; they returned with French ideas and tastes . The Restoration coincided with the brilliant , if despotic , reign of Louis XIV ; and it was natural in England , as in other parts of ...
الصفحة 82
... French Diego , who is heard from within , drolling and breaking many a miserable conceit on the subject of his sad condition . In this ridiculous man- ner the play goes forward , the stage being never empty all the while ; so that the ...
... French Diego , who is heard from within , drolling and breaking many a miserable conceit on the subject of his sad condition . In this ridiculous man- ner the play goes forward , the stage being never empty all the while ; so that the ...
الصفحة 83
... French now use , I can show in Shakespeare many scenes of rhyme together , and the like in Ben Jonson's tragedies : in Catiline and Sejanus sometimes thirty or forty lines , I mean besides the Chorus or the monologues ; which , by the ...
... French now use , I can show in Shakespeare many scenes of rhyme together , and the like in Ben Jonson's tragedies : in Catiline and Sejanus sometimes thirty or forty lines , I mean besides the Chorus or the monologues ; which , by the ...
المحتوى
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing