Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 85
الصفحة 175
... character of the person speak- ing , [ as it ] may be surprisingly and pleasantly , is mistaken for a character of humor , which indeed is a character of wit . But there is a great difference between a comedy wherein there are many ...
... character of the person speak- ing , [ as it ] may be surprisingly and pleasantly , is mistaken for a character of humor , which indeed is a character of wit . But there is a great difference between a comedy wherein there are many ...
الصفحة 178
... character of Sir John Daw in the same play is a character of affectation . He everywhere discovers an affectation of learning , when he is not only conscious to himself , but the audience also plainly perceives that he is ignorant . Of ...
... character of Sir John Daw in the same play is a character of affectation . He everywhere discovers an affectation of learning , when he is not only conscious to himself , but the audience also plainly perceives that he is ignorant . Of ...
الصفحة 565
... character ; but the sense we have been speaking of proceeds in a contrary course , and determines of actions from certain first principles of character which seem wholly out of the reach of the understanding . We can- not indeed do ...
... character ; but the sense we have been speaking of proceeds in a contrary course , and determines of actions from certain first principles of character which seem wholly out of the reach of the understanding . We can- not indeed do ...
المحتوى
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
حقوق النشر | |
20 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing