Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 من الصفحات |
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الصفحة 279
... effect , so extensive that some very acute writers have mistaken it for the only source of our morals , though their root lies deeper and is more interwoven with our origi- nal frame . However , as we have at present only to do with ...
... effect , so extensive that some very acute writers have mistaken it for the only source of our morals , though their root lies deeper and is more interwoven with our origi- nal frame . However , as we have at present only to do with ...
الصفحة 549
... effect by more ways than are generally employed by architects . To pass over the effect produced by that general symmetry and proportion by which the eye is delighted , as the ear is with music , architecture certainly possesses many ...
... effect by more ways than are generally employed by architects . To pass over the effect produced by that general symmetry and proportion by which the eye is delighted , as the ear is with music , architecture certainly possesses many ...
الصفحة 601
... effect in accompanying the face will allow ; the flow of his drapery , the sweetness and equality of his penciling ... effect of the picturesque is curiosity - an effect which , though less splendid 1 Paradise Lost , I , 592-605 . Guido ...
... effect in accompanying the face will allow ; the flow of his drapery , the sweetness and equality of his penciling ... effect of the picturesque is curiosity - an effect which , though less splendid 1 Paradise Lost , I , 592-605 . Guido ...
المحتوى
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
حقوق النشر | |
20 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action Addison admiration Aeneid ancient appear Aristotle audience beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect eighteenth century English epic epic poetry Essay Essay on Criticism excellence expression Falstaff fancy Francis Hutcheson French genius give Gondibert heroic Hobbes Homer Horace Hudibras human humor ideas Iliad images imagination imitation Johnson Joseph Warton judge judgment Juvenal kind language laughter learning living mankind manner means Milton mind modern moral nation nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleased pleasure poem poesy poet poetical poetry Pope principles produce reader reason resemblance rhyme ridiculous rules satire scenes sense sentiments Shakespeare Silent Woman sometimes spirit sublime taste theory things thought tion tragedy true truth verse Virgil virtue words writing