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Dost thou wail
Thy childhood's unreturning hours, thy springs
Gone with their genial airs and melodies,
The gentle generations of thy flowers,
And thy majestic groves of olden time,
Perished with all their dwellers?
For that fair age of which the poets tell,
Ere the rude winds grew keen with frost, or fire
Fell with the rains, or spouted from the hills,
To blast thy greenness, while the virgin night
Was guiltless and salubrious as the day?
Or haply dost thou grieve for those that die-
For living things that trod thy paths awhile,
The love of thee and heaven—and now they sleep
Mixed with the shapeless dust on which thy herds
Trample and graze? I too must grieve with thee,
O'er loved ones lost. Their
graves are far away
Upon thy mountains; yet, while I recline
Alone, in darkness, on thy naked soil,
The mighty nourisher and burial-place
Of man, I feel that I embrace their dust.
Ha! how the murmur deepens! I perceive
And tremble at its dreadful import. Earth
Uplifts a general cry for guilt and wrong,
And heaven is listening. The forgotten graves
Of the heart-broken utter forth their plaint.
The dust of her who loved and was betrayed,
And him who died neglected in his age;
The sepulchres of those who for mankind
Laboured, and earned the recompense of scorn;
Ashes of martyrs for the truth, and bones
Of those who, in the strife for liberty,
Were beaten down, their corses given to dogs,
Their names to infamy, all find a voice.
The nook in which the captive, overtoiled,
Lay down to rest at last, and that which holds
Childhood's sweet blossoms, crushed by cruel hands,
Send up a plaintive sound. From battle-fields,
Where heroes madly drave and dashed their hosts
Against each other, rises up a noise,
As if the armed multitudes of dead
Stirred in their heavy slumber. Mournful tones
Come from the green abysses of the sea—
A story of the crimes the guilty sought
To hide beneath its waves. The glens, the groves,
Paths in the thicket, pools of running brook,
And banks and depths of lake, and streets and lanes
Of cities, now that living sounds are hushed,
Murmur of guilty force and treachery.
Here, where I rest, the vales of Italy
Are round me, populous from early time,
And field of the tremendous warfare waged
"Twixt good and evil. Who, alas, shall dare
Interpret to man's ear the mingled voice
That comes from her old dungeons yawning now
To the black air, her amphitheatres,
Where the dew gathers on the mouldering stones,
And fanes of banished gods, and open tombs,
And roofless palaces, and streets and hearths
Of cities dug from their volcanic graves?
I hear a sound of many languages,
The utterance of nations now no more,
Driven out by mightier, as the days of heaven
Chase one another from the sky. The blood
Of freemen shed by freemen, till strange lords
Came in the hour of weakness, and made fast
The yoke that yet is worn, cries out to Heaven.
What then shall cleanse thy bosom, gentle Earth, From all its painful memories of guilt?
The whelming flood, or the renewing fire,
Or the slow change of time? that so, at last,
The horrid tale of perjury and strife,
Murder and spoil, which men call history,
May seem a fable, like the inventions told
By poets of the gods of Greece. O thou,
Who sittest far beyond the Atlantic deep,
Among the sources of thy glorious streams,
My native Land of Groves a newer page
In the great record of the world is thine;
Shall it be fairer ? Fear, and friendly hope,
And envy, watch the issue, while the lines,
By which thou shalt be judged, are written down.
THIS is the church which Pisa, great and free,
Reared to St. Catharine. How the time-stained walls,
That earthquakes shook not from their poise, appear
To shiver in the deep and voluble tones
Rolled from the organ! Underneath my feet
There lies the lid of a sepulchral vault.
The image of an armed knight is graven
Upon it, clad in perfect panoply-
Cuishes, and greaves, and cuirass, with barred helm,
Gauntleted hand, and sword, and blazoned shield.
Around, in Gothic characters, worn dim
By feet of worshippers, are traced his name,
And birth, and death, and words of eulogy.
Why should I pore upon them? This old tomb,
This effigy, the strange disused form
Of this inscription, eloquently show
His history. Let me clothe in fitting words
The thoughts they breathe, and frame his epitaph.
"He whose forgotten dust for centuries Has lain beneath this stone, was one in whom