Vernacular Literary Theory in the Middle Ages: The German Tradition, 800-1300, in Its European Context

الغلاف الأمامي
Cambridge University Press, 06‏/03‏/1997 - 426 من الصفحات
The first edition of this book appeared in German in 1985, and set a new agenda for the study of medieval literary theory. Rather than seeing vernacular writers' reflections on their art, such as are found in prologues, epilogues and interpolations in literary texts, as merely deriving from established Latin traditions, Walter Haug shows that they marked the gradual emancipation of an independent vernacular poetics that went hand in hand with changing narrative forms. While focussing primarily on medieval German writers, Haug also takes into account French literature of the same period, and the principles underlying his argument are equally relevant to medieval literature in English or any other European language. This ground-breaking study is now available in English for the first time.

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and the beginnings of literary theory in Old High German
25
theoretical positions
46
the Rolandslied
75
Chrétien de Troyes prologue to Erec et Enide and
91
Divine inspiration and the changing role of the poet
107
Hagiographical legend or romance? Hartmanns prologue
132
the prologue
153
a return to historical romance?
178
The Lucidarius Aprologue in the context of contemporary
241
the emergence of
259
a programmatic rejection
289
a model for later
318
fulfilment From Rudolf von Ems Willehalm von Orlens
331
spellbinding artistry and individual
346
magic and moral code in
366
Concluding remarks
379

Gottfried von Strassburgs literary theory
196
Thomasin von Zerklære
228

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