Yet of his little he had some to spare, .A poorer than himself he would not see. Wide was his parish; not contracted close All this, the good old man perform'd alone, Nor spar'd his pains; for curate he had none, Nor durst he trust another with his care; Nor rode himself to Paul's, the public fair, To chaffer for preferment with his gold, Where bishoprics and sinecures are sold. But duly watch'd his flock, by night and day; And from the prowling wolf redeem'd the prey: And hungry sent the wily fox away. The proud he tam'd, the penitent he cheer'd: Nor to rebuke the rich offender fear'd. His preaching much, but more his practise wrought (A living sermon of the truths he taught;) For this by rules severe his life he squar'd: The prelate for his holy life he priz'd; Patience in want, and poverty of mind, In purple he was crucified, not born. They who contend for place and high degree, Not but he knew the signs of earthly power The prince may keep his pomp, the fisher must be plain. This prince, though great in arms, the priest withstood: The people's right remains; let those who dare, He join'd not in their choice, because he knew Worse might, and often did, from change ensue. Much to himself he thought; but little spoke; And, undepriv'd, his benefice forsook. Now, through the land, his cure of souls he stretch'd: And like a primitive apostle preach'd. Still cheerful; ever constant to his call; By many follow'd; lov'd by most, admir'd by all. With what he begg'd, his brethren he reliev'd, Gaye, while he taught; and edified the more, Because he show'd, by proof, 'twas easy to be poor. He went not with the crowd to see a shrine ; In deference to his virtues, I forbear To shew you what the rest in orders were: This brilliant is so spotless and so bright, He needs no foil, but shines by his own proper light. At the conclusion of the book of Fables was first printed the 'Ode on Alexander's Feast,' which has so long been, and in all likelihood must ever remain, the best as well as the most popular Lyric in our language. It was written at the solicitation of the society for whom he had previously composed the Song on St. Cecilia's Day, and was rewarded with a present of 401. To print here what almost every reader knew by rote when even a schoolboy, were superfluous; but it may not be unsatisfactory to give the first ode, a performance which has been rather undeservedly overlooked in the greater splendour of the second : A SONG FOR ST. CECILIA'S DAY, 1687. I. FROM harmony, from heavenly harmony This universal frame began: When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Then cold, and hot, and moist, and dry, And Music's power obey. From harmony, from heavenly harmony, From harmony to harmony Through all the compass of the notes it ran, II. What passion cannot music raise and quell! When Jubal struck the chorded shell, His list'ning brethren stood around, To worship that celestial sound. Less than a God they thought there could not dwell Within the hollow of that shell, That spoke so sweetly and so well. What passion cannot Music raise and quell? III. The trumpet's loud clangor Excites us to arms, With shrill notes of anger And mortal alarms. The double double double beat Cries, hark! the foes come; Charge, charge, 'tis too late to retreat. IV. The soft complaining flute In dying notes discovers The woes of hopeless lovers, Whose dirge is whisper'd by the warbling lute. V. Sharp violins proclaim Their jealous pangs, and desperation, Fury, frantic indignation, Depth of pains, and height of passion, For the fair, disdainful dame. VI. But oh! what art can teach, What human voice can reach The sacred organ's praise? Notes inspiring holy love, Notes that wing their heavenly ways To mend the choirs above. VII. Orpheus could lead the savage race; But bright Cecilia rais'd the wonder higher : Mistaking earth for heaven. GRAND CHORUS. As from the power of sacred lays, So when the last and dreadful hour Dryden died of a mortification in one of his legs, in Gerardstreet, Soho, on the 1st of May, 1700; and if the only account extant be true, the circumstances of his burial were as perverse as those of his life had ever been. The Earl of Halifax, and Lord Jefferies, son of the Chancellor, are both said to have offered a public funeral to his remains; and the one nobleman to have promised 5007., and the second 10007. for a monument to his memory. The latter lord, however, assumed to himself the preference originally given to the former, and actually contravened the orders which had been given for the funeral. A public disappointment of the ceremony was thus occasioned, at which Lord Halifax took so much offence, that he withdrew his bounty, and was again imitated by young Jefferies, who was now mean enough to confess that he was drunk when he first spoke, and could not think of keeping a word pledged in that state. In the midst of this confusion, poor Dryden's corpse lay for three weeks at the undertaker's; and, in all probability, the poverty in which he died would have made it necessary for the parish to interfere, had not Doctor Garth honourably stepped forward, and proposed a subscription-funeral, for which he set the first example by putting down a liberal contribution. The design succeeded, and the mortal remains of the immortal Dryden were removed to the College of Physicians, where Garth delivered a Latin oration, and then conducted them to the Abbey. Of the private habits and domestic circumstances of Dryden's life, nothing can be told, because nothing is known; and the absence of all information upon such a point may be justly taken as an additional proof that his home was most severely harassed by the poverty he so often complained of. That man must |