Working with ShakespeareThis book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. |
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النتائج 1-3 من 39
الصفحة 57
In The Castle of Perseverance ( early fifteenth century ) Death announces that '
with this point I will pierce him ' and that ' I strike you a blow , Mankind , to your
heart ' s core ' . In vain ' Humanum Genus ' cries out to ' Good Sir World ' for help .
In The Castle of Perseverance ( early fifteenth century ) Death announces that '
with this point I will pierce him ' and that ' I strike you a blow , Mankind , to your
heart ' s core ' . In vain ' Humanum Genus ' cries out to ' Good Sir World ' for help .
الصفحة 58
This does not cover up the lack of inside in the early Richard . . . To generalize ,
most commentators direct attention to a play which they can manage , and tacitly
divert it from ' misfits ' they cannot ; and in this there is no great critical difference ...
This does not cover up the lack of inside in the early Richard . . . To generalize ,
most commentators direct attention to a play which they can manage , and tacitly
divert it from ' misfits ' they cannot ; and in this there is no great critical difference ...
الصفحة 108
Think , rather , of drama as animating fundamental conflicts , and Capulet ' s
speech is cramful of the main matter of this play : the contrast of ' made ' and '
marr ' d ' ( ' too soon ' the one , ' so early ' the other ) ; dark and light ; love and
hate ( the ...
Think , rather , of drama as animating fundamental conflicts , and Capulet ' s
speech is cramful of the main matter of this play : the contrast of ' made ' and '
marr ' d ' ( ' too soon ' the one , ' so early ' the other ) ; dark and light ; love and
hate ( the ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
alliteration Antony Bradley called chapter character Claudius Cleopatra Coleridge comes concern continues contrast critics crown death detail difference direction drama earlier early equally essay example face father feel feminist Fool give goes Hamlet hand hear heart heaven Henry Hotspur human ibid idea Johnson keep kind King Knight language later Lear Lear's less lines live look lord Macbeth meaning mercurial metaphor mind move nature notes novel opening particular passage pattern phrase play play's pleasure political present Queene question quoted rhetoric Richard Ryan scene sense Shakespeare soliloquy speak speech stage stress structure suggests talk tell thee things thou thought turn verse voice whole wordplay writing young