Working with ShakespeareBarnes & Noble Books, 1993 - 247 من الصفحات This book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. The book offers an accessible nuts-and-bolts approach in steadily broadening focus: from the way lines and speeches are put together to such large concerns as genre distinctions and the representation of gender. Eleven plays are introduced in chronological order, nine of them reappearing in later chapters in order to illustrate further topics. Comparisons draw on alternative texts, subsequent adaptations and excerpts on the same subjects from works in other literary genres. Appendices to each chapter provide materials for further exercises. A linked aim is to help students form an independent relation to existing commentary. Running through the book is an evaluative history, with generous quotations, of both traditional criticism and the revolutionary approaches of recent years. Contents: Preface and acknowledgements; Introduction; Voices; Words; Speeches; Scenes; Gender, Genre and Grabbing; Notes; Bibliography; Index. |
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الصفحة 82
... mind ' , its ' strange lightning ' ( Bradley , 1905 : 150 , 151 ) . ( Incidentally , Mahood acknowledges that observation of Bradley's ; Ferguson , on whom see below , does not . ) A final query about borderline conjectures : should I ...
... mind ' , its ' strange lightning ' ( Bradley , 1905 : 150 , 151 ) . ( Incidentally , Mahood acknowledges that observation of Bradley's ; Ferguson , on whom see below , does not . ) A final query about borderline conjectures : should I ...
الصفحة 185
... mind clear whenever a whiff of chauvinism crosses Shakespeare's stage . This leads us on to my next chapter . * * Appendices to Chapter Four 4A For a century and a half , Nahum Tate's 1681 version held the stage as ' the ' King Lear ...
... mind clear whenever a whiff of chauvinism crosses Shakespeare's stage . This leads us on to my next chapter . * * Appendices to Chapter Four 4A For a century and a half , Nahum Tate's 1681 version held the stage as ' the ' King Lear ...
الصفحة 198
... mind . Put her mind in your portrait and tails you lose , with accusations of a sexist attack on ' feminine wiles ' ( ibid . , 298ff . ) . A related double - bind is that male critics must 198 Working with Shakespeare.
... mind . Put her mind in your portrait and tails you lose , with accusations of a sexist attack on ' feminine wiles ' ( ibid . , 298ff . ) . A related double - bind is that male critics must 198 Working with Shakespeare.
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عبارات ومصطلحات مألوفة
Antony and Cleopatra audience Bradley Caesar called Capulet chapter character Claudius Claudius's Coleridge contrast Cordelia Coriolanus couplet crown D. H. Lawrence death dialogue Dollimore drama Eagleton earlier Eliot essay F. R. Leavis Falstaff father feminist criticism Ferguson Fool give Goneril Granville-Barker Greenblatt Hamlet hath Hawkes hear heart heaven Henry heteroglossia Holderness Hotspur human ibid Johnson Kent King Lear Laertes language Lear's Leontes Leontes's lines look lord Macbeth Mahood McLuskie meaning mercurial metaphor mind novel passage pattern phrase play play's pleasure poetic political pronouns Quarto Queene question quoted rhetoric rhyme Richard Richard II Romeo and Juliet Ryan scene Shakespeare Signet soliloquy speak speech stage stress structure talk tell Tennenhouse thee thou Tolstoy's tragedies turn unconformities verbs verse voice Weimann whole Wilson Knight Winter's Tale wordplay words