Working with ShakespeareBarnes & Noble Books, 1993 - 247 من الصفحات This book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. The book offers an accessible nuts-and-bolts approach in steadily broadening focus: from the way lines and speeches are put together to such large concerns as genre distinctions and the representation of gender. Eleven plays are introduced in chronological order, nine of them reappearing in later chapters in order to illustrate further topics. Comparisons draw on alternative texts, subsequent adaptations and excerpts on the same subjects from works in other literary genres. Appendices to each chapter provide materials for further exercises. A linked aim is to help students form an independent relation to existing commentary. Running through the book is an evaluative history, with generous quotations, of both traditional criticism and the revolutionary approaches of recent years. Contents: Preface and acknowledgements; Introduction; Voices; Words; Speeches; Scenes; Gender, Genre and Grabbing; Notes; Bibliography; Index. |
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الصفحة 41
... quoted . QUEEN O , full of careful business are his looks ! Uncle , for God's sake speak some comfortable words . YORK Should I do so , I should belie my thoughts . Comfort's in heaven , and we are on the earth , Where nothing lives but ...
... quoted . QUEEN O , full of careful business are his looks ! Uncle , for God's sake speak some comfortable words . YORK Should I do so , I should belie my thoughts . Comfort's in heaven , and we are on the earth , Where nothing lives but ...
الصفحة 141
... quoted , you can still detect the ghost of that simple metre lurking behind the arras of syncopation . 3E Florizel ... quoting the Folio text ) The second analysis ends an essay on ' Shakespeare's Use of Rhetoric ' by Brian Vickers ...
... quoted , you can still detect the ghost of that simple metre lurking behind the arras of syncopation . 3E Florizel ... quoting the Folio text ) The second analysis ends an essay on ' Shakespeare's Use of Rhetoric ' by Brian Vickers ...
الصفحة 170
... quoted above , p . 125 ) . LEONTES I Thou want'st a rough pash and the shoots that I have , To be full like me ; LEONTES II yet they say we are Almost as like as eggs ; LEONTES I women say so - - That will say any thing . LEONTES II But ...
... quoted above , p . 125 ) . LEONTES I Thou want'st a rough pash and the shoots that I have , To be full like me ; LEONTES II yet they say we are Almost as like as eggs ; LEONTES I women say so - - That will say any thing . LEONTES II But ...
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Antony and Cleopatra audience Bradley Caesar called Capulet chapter character Claudius Claudius's Coleridge contrast Cordelia Coriolanus couplet crown D. H. Lawrence death dialogue Dollimore drama Eagleton earlier Eliot essay F. R. Leavis Falstaff father feminist criticism Ferguson Fool give Goneril Granville-Barker Greenblatt Hamlet hath Hawkes hear heart heaven Henry heteroglossia Holderness Hotspur human ibid Johnson Kent King Lear Laertes language Lear's Leontes Leontes's lines look lord Macbeth Mahood McLuskie meaning mercurial metaphor mind novel passage pattern phrase play play's pleasure poetic political pronouns Quarto Queene question quoted rhetoric rhyme Richard Richard II Romeo and Juliet Ryan scene Shakespeare Signet soliloquy speak speech stage stress structure talk tell Tennenhouse thee thou Tolstoy's tragedies turn unconformities verbs verse voice Weimann whole Wilson Knight Winter's Tale wordplay words