Working with ShakespeareBarnes & Noble Books, 1993 - 247 من الصفحات This book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. The book offers an accessible nuts-and-bolts approach in steadily broadening focus: from the way lines and speeches are put together to such large concerns as genre distinctions and the representation of gender. Eleven plays are introduced in chronological order, nine of them reappearing in later chapters in order to illustrate further topics. Comparisons draw on alternative texts, subsequent adaptations and excerpts on the same subjects from works in other literary genres. Appendices to each chapter provide materials for further exercises. A linked aim is to help students form an independent relation to existing commentary. Running through the book is an evaluative history, with generous quotations, of both traditional criticism and the revolutionary approaches of recent years. Contents: Preface and acknowledgements; Introduction; Voices; Words; Speeches; Scenes; Gender, Genre and Grabbing; Notes; Bibliography; Index. |
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الصفحة 83
... thing signified , was to shake the whole structure of Elizabethan thought and society ' ( ibid . , 73 ; cf. 85 , ' the word and its referent are two things ' ) . That sounds deconstructionist even before that term was invented . But you ...
... thing signified , was to shake the whole structure of Elizabethan thought and society ' ( ibid . , 73 ; cf. 85 , ' the word and its referent are two things ' ) . That sounds deconstructionist even before that term was invented . But you ...
الصفحة 198
... thing becomes ' , who ' makes defect perfection ' : ' many unpleasant things can be said of Cleopatra ' , says Bradley , ' and the more that are said , the more wonderful she appears ' ( Bradley , 1988a : 236 ) . ' How different , how ...
... thing becomes ' , who ' makes defect perfection ' : ' many unpleasant things can be said of Cleopatra ' , says Bradley , ' and the more that are said , the more wonderful she appears ' ( Bradley , 1988a : 236 ) . ' How different , how ...
الصفحة 227
... things are comprehensible and natural to you , ' she flung at him , and walked out of the room . When he came to her in the evening , they did not refer to the quarrel , but both felt that it was only smoothed over , not settled . Now ...
... things are comprehensible and natural to you , ' she flung at him , and walked out of the room . When he came to her in the evening , they did not refer to the quarrel , but both felt that it was only smoothed over , not settled . Now ...
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عبارات ومصطلحات مألوفة
Antony and Cleopatra audience Bradley Caesar called Capulet chapter character Claudius Claudius's Coleridge contrast Cordelia Coriolanus couplet crown D. H. Lawrence death dialogue Dollimore drama Eagleton earlier Eliot essay F. R. Leavis Falstaff father feminist criticism Ferguson Fool give Goneril Granville-Barker Greenblatt Hamlet hath Hawkes hear heart heaven Henry heteroglossia Holderness Hotspur human ibid Johnson Kent King Lear Laertes language Lear's Leontes Leontes's lines look lord Macbeth Mahood McLuskie meaning mercurial metaphor mind novel passage pattern phrase play play's pleasure poetic political pronouns Quarto Queene question quoted rhetoric rhyme Richard Richard II Romeo and Juliet Ryan scene Shakespeare Signet soliloquy speak speech stage stress structure talk tell Tennenhouse thee thou Tolstoy's tragedies turn unconformities verbs verse voice Weimann whole Wilson Knight Winter's Tale wordplay words