Working with ShakespeareBarnes & Noble Books, 1993 - 247 من الصفحات This book aims to increase the pleasure of studying Shakespeare, working with the plays as the craftsman-dramatist himself worked by concentrating on poetic detail and dramatic moments. The book offers an accessible nuts-and-bolts approach in steadily broadening focus: from the way lines and speeches are put together to such large concerns as genre distinctions and the representation of gender. Eleven plays are introduced in chronological order, nine of them reappearing in later chapters in order to illustrate further topics. Comparisons draw on alternative texts, subsequent adaptations and excerpts on the same subjects from works in other literary genres. Appendices to each chapter provide materials for further exercises. A linked aim is to help students form an independent relation to existing commentary. Running through the book is an evaluative history, with generous quotations, of both traditional criticism and the revolutionary approaches of recent years. Contents: Preface and acknowledgements; Introduction; Voices; Words; Speeches; Scenes; Gender, Genre and Grabbing; Notes; Bibliography; Index. |
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الصفحة 18
... voice ' . This first chapter shows the earlier Shakespeare starting to use his pen and exploit actors ' voices , so as to make us think we hear the voices of distinct , individual characters . The start is uneven : often we get toneless ...
... voice ' . This first chapter shows the earlier Shakespeare starting to use his pen and exploit actors ' voices , so as to make us think we hear the voices of distinct , individual characters . The start is uneven : often we get toneless ...
الصفحة 28
... voice ' . And I hear no voice at all when we lurch immediately on to this : RICHARD • ... How can you say to me I am a king ? CARLISLE My lord , wise men ne'er sit and wail their woes , But presently prevent the ways to wail ; To fear ...
... voice ' . And I hear no voice at all when we lurch immediately on to this : RICHARD • ... How can you say to me I am a king ? CARLISLE My lord , wise men ne'er sit and wail their woes , But presently prevent the ways to wail ; To fear ...
الصفحة 47
... voice in anger or distraction ; although this unsteadiness shows more with Tybalt than with Capulet . With this play it is not realistic to posit ( as one can with Richard II ) the outcropping of a previous , patchily revised play in ...
... voice in anger or distraction ; although this unsteadiness shows more with Tybalt than with Capulet . With this play it is not realistic to posit ( as one can with Richard II ) the outcropping of a previous , patchily revised play in ...
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عبارات ومصطلحات مألوفة
Antony and Cleopatra audience Bradley Caesar called Capulet chapter character Claudius Claudius's Coleridge contrast Cordelia Coriolanus couplet crown D. H. Lawrence death dialogue Dollimore drama Eagleton earlier Eliot essay F. R. Leavis Falstaff father feminist criticism Ferguson Fool give Goneril Granville-Barker Greenblatt Hamlet hath Hawkes hear heart heaven Henry heteroglossia Holderness Hotspur human ibid Johnson Kent King Lear Laertes language Lear's Leontes Leontes's lines look lord Macbeth Mahood McLuskie meaning mercurial metaphor mind novel passage pattern phrase play play's pleasure poetic political pronouns Quarto Queene question quoted rhetoric rhyme Richard Richard II Romeo and Juliet Ryan scene Shakespeare Signet soliloquy speak speech stage stress structure talk tell Tennenhouse thee thou Tolstoy's tragedies turn unconformities verbs verse voice Weimann whole Wilson Knight Winter's Tale wordplay words