 Phidias (the favourite artist of antiquity), to illustrate their assertions. As if they could not sufficiently express their admiration of his genius by what they knew, they have recourse to poetical enthusiasm. They call it inspiration ; a gift from...  THE MONTHLY REVIEW - الصفحة 372بواسطة Several Hands - 1771عرض كامل - لمحة عن هذا الكتاب
 | Ralph Griffiths, George Edward Griffiths - 1771 - عدد الصفحات: 622
...'.... i. :..•::: an ideal b auty, fnperior to what is to be found in individual nature. They arc ever referring to the practice of the painters and...particularly Phidias (the favourite artift of antiquity) to illg:ftrate their affertions. As if they could not fuf— ficiently exprefs their admiration of his... | |
 | Edmund Burke - 1772 - عدد الصفحات: 656
...Rhetoricians of antiquity, are continually enforcing this pofition, that all the arts receive their perfeftion from an ideal beauty, fuperior to what is to be found...ever referring to the practice of the Painters and Sculptors of their times, particularly Phidias (the favourite Artift of Antiquity) to illustrate their... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - عدد الصفحات: 440
...enforcing this position ; that all the arts receive their perfection from an ideaMseauty, superior to what is to be found in individual nature. They...ever referring to the practice of the painters and sculptors of their times, particularly Phidias, (the favourite artist of antiquity,) to illustrate... | |
 | 1803 - عدد الصفحات: 582
...politico, that all the arts receive their perfection from an ideal beauty, lup«rior to what is to be fqund in individual nature. They are ever referring .to the practice of the Painters and Sculptor» of their times, particularly Phidias (-thé favoufitp thé Englifb, are but différent ap»,... | |
 | Hewson Clarke, John Dougall - 1817 - عدد الصفحات: 928
...position ; that all the arts receive their perfection from ideal beauty, superior to what is to be formed in individual nature. They are ever referring to the practice of the painters and sculptors of their times, particularly of Phidias, the favourite artist of antiquity, to illustrate... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - عدد الصفحات: 614
...enforcing this position ; that all the arts receive their perfection from an ideal beauty, superior to what is to be found in individual nature. They...ever referring to the practice of the painters and sculptors of their times, particularly Phidias, (the favourite artist of antiquity,) to illustrate... | |
 | Sir Joshua Reynolds - 1819 - عدد الصفحات: 610
...enforcing this position ; that all the arts receive their perfection from an ideal beauty, superior to what is to be found in individual nature. They...ever referring to the practice of the painters and sculptors of their times, particularly Phidias, (the favourite artist of antiquity,) to illustrate... | |
 | Sir Joshua Reynolds - 1824 - عدد الصفحات: 332
...enforcing this position ; that all the arts receive their perfection from an ideal beauty, superior to what is to be found in individual nature. They...ever referring to the practice of the painters and sculptors of their times, particularly Phidias, (the favourite artist of antiquity,) to illustrate... | |
 | sir Joshua Reynolds - 1824 - عدد الصفحات: 332
...enforcing this position ; that all the arts receive their perfection from an ideal beauty, superior to what is to be found in individual nature. They...ever referring to the practice of the painters and sculptors of their times, particularly Phidias, (the favourite artist of antiquity,) to illustrate... | |
 | Hewson Clarke, John Dougall - 1825 - عدد الصفحات: 892
...position ; that all the arts receive their perfection from ideal beauty, superior to what is to be formed in individual nature. They are ever referring to the practice of the painters and sculptors of their times, particularly of Phidias, the favourite artist of antiquity, to illustrate... | |
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