The Mysteries of UdolphoThis was the most popular novel of Radcliffe's time and Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband, Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her. |
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الصفحة
That mid-to-late-eighteenth-century authors should have felt the need to perpetrate such hoaxes is testimony both to an intense cultural interest in the medieval or Gothic past and to a fear of presenting and reading about supernatural ...
That mid-to-late-eighteenth-century authors should have felt the need to perpetrate such hoaxes is testimony both to an intense cultural interest in the medieval or Gothic past and to a fear of presenting and reading about supernatural ...
الصفحة
It took Ann Radcliffe's fluid narrative style, her more realistic fictional world, and Emily's interiority to establish a Gothic mood of pervasive fear into which readers were drawn – a mood in which, as Thomas Noon Talfourd was to put ...
It took Ann Radcliffe's fluid narrative style, her more realistic fictional world, and Emily's interiority to establish a Gothic mood of pervasive fear into which readers were drawn – a mood in which, as Thomas Noon Talfourd was to put ...
الصفحة
And, since, in our passage through this world, painful circumstances occur more frequently than pleasing ones, and since our sense of evil is, I fear, more acute than our sense of good, we become the victims of our feelings, ...
And, since, in our passage through this world, painful circumstances occur more frequently than pleasing ones, and since our sense of evil is, I fear, more acute than our sense of good, we become the victims of our feelings, ...
الصفحة
As Chris Baldick and Robert Mighall have suggested, the nightmare fear of losing hard-won liberties and being dragged back to the persecutions of the CounterReformation is a strong motivation of Gothic fiction.
As Chris Baldick and Robert Mighall have suggested, the nightmare fear of losing hard-won liberties and being dragged back to the persecutions of the CounterReformation is a strong motivation of Gothic fiction.
الصفحة
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
added affected Annette apartment appeared attention aunt believe Blanche called castle chamber chateau circumstances concerning conduct considered continued conversation Count countenance dark dear distance door Emily Emily’s emotion endeavoured expected expressed eyes fancy father fear felt followed gave give hand happiness hear heard heart hope hour immediately interest Italy kind knew lady Languedoc late leave length light listened live looked Ludovico ma’amselle Madame Madame Montoni manner means melancholy mention mind moment Montoni mountains never night object observed occasioned once opened passed paused perceived person present reached reason received recollected remained remembered replied retired returned round scarcely scene seemed seen servants Signor silent smile sometimes soon sound speak spirits St Aubert steps suffered surprise tears tell terror thought till told travellers trembling turned Valancourt voice walked watch wish woods
معلومات المراجع
| العنوان | The Mysteries of Udolpho المجلد 7 من Victorian bestsellers |
| المؤلف | Ann Radcliffe |
| المُحرر | Jacqueline Howard |
| المساهم | Jacqueline Howard |
| الناشر | Penguin UK, 2010 |
| رقم ISBN (الرقم الدولي المعياري للكتاب) | 0141905409, 9780141905402 |
| عدد الصفحات | 880 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |