The Mysteries of UdolphoPenguin UK, 28/01/2010 - 880 من الصفحات This was the most popular novel of Radcliffe's time and Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband, Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her. |
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... object, breaks down. Terry Castle, drawing attention to Radcliffe's 'persistently spectralized language', argues that 'the supernatural is not so much explained in Udolpho as it is displaced... the supposedly ordinary secular world is ...
... object, breaks down. Terry Castle, drawing attention to Radcliffe's 'persistently spectralized language', argues that 'the supernatural is not so much explained in Udolpho as it is displaced... the supposedly ordinary secular world is ...
الصفحة
... Objects of Terror' in Miscellaneous Pieces, which she produced with her husband, John Aikin (3rd edn, London: J. Johnson, 1792), pp. 119–27. For Radcliffe's use of Barbauld's ideas, see note 4 to Vol. II, Ch. VI, of Udolpho. 26. Here he ...
... Objects of Terror' in Miscellaneous Pieces, which she produced with her husband, John Aikin (3rd edn, London: J. Johnson, 1792), pp. 119–27. For Radcliffe's use of Barbauld's ideas, see note 4 to Vol. II, Ch. VI, of Udolpho. 26. Here he ...
الصفحة
... object to persons of a congenial disposition. But St Aubert had too much good sense to prefer a charm to a virtue; and had penetration enough to see, that this charm was too dangerous to its possessor to be allowed the character of a ...
... object to persons of a congenial disposition. But St Aubert had too much good sense to prefer a charm to a virtue; and had penetration enough to see, that this charm was too dangerous to its possessor to be allowed the character of a ...
الصفحة
... object of necessity, and consequently of interest. It was one of Emily's earliest pleasures to ramble among the scenes of nature; nor was it in the soft and glowing landscape that she most delighted; she loved more the wild wood-walks ...
... object of necessity, and consequently of interest. It was one of Emily's earliest pleasures to ramble among the scenes of nature; nor was it in the soft and glowing landscape that she most delighted; she loved more the wild wood-walks ...
الصفحة
... object delighted his senses. The refreshing pleasure from the first view of nature, after the pain of illness, and the confinement of a sick-chamber, is above the conceptions, as well as the descriptions, of those in health. The green ...
... object delighted his senses. The refreshing pleasure from the first view of nature, after the pain of illness, and the confinement of a sick-chamber, is above the conceptions, as well as the descriptions, of those in health. The green ...
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added affected Annette apartment appeared attention aunt believe Blanche called castle chamber chateau circumstances concerning conduct considered continued conversation Count countenance dark dear distance door Emily Emily’s emotion endeavoured expected expressed eyes fancy father fear felt followed gave give hand happiness hear heard heart hope hour immediately interest Italy kind knew lady Languedoc late leave length light listened live looked Ludovico ma’amselle Madame Madame Montoni manner means melancholy mention mind moment Montoni mountains never night object observed occasioned once opened passed paused perceived person present reached reason received recollected remained remembered replied retired returned round scarcely scene seemed seen servants Signor silent smile sometimes soon sound speak spirits St Aubert steps suffered surprise tears tell terror thought till told travellers trembling turned Valancourt voice walked watch wish woods