The Mysteries of UdolphoPenguin UK, 28/01/2010 - 880 من الصفحات This was the most popular novel of Radcliffe's time and Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband, Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her. |
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Ann Radcliffe Jacqueline Howard. 'Brilliant ... full of terror.” INDEPENDENT THEMYSTERIES OF UDOLPHO ANN RADCLIFFE was bornin 1764, the daughterof. Front Cover.
Ann Radcliffe Jacqueline Howard. 'Brilliant ... full of terror.” INDEPENDENT THEMYSTERIES OF UDOLPHO ANN RADCLIFFE was bornin 1764, the daughterof. Front Cover.
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... November 1794, 'that... a story so well contrived to hold curiosity in pleasing suspence, and at the same time to agitate the soul with strong emotions of sympathetic terror, has seldom been produced.' Of course INTRODUCTION.
... November 1794, 'that... a story so well contrived to hold curiosity in pleasing suspence, and at the same time to agitate the soul with strong emotions of sympathetic terror, has seldom been produced.' Of course INTRODUCTION.
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Ann Radcliffe Jacqueline Howard. emotions of sympathetic terror, has seldom been produced.' Of course Udolpho still came in for some criticism – that it had 'too much of the terrific'; 4 that 'it would... have been more perfect, as well ...
Ann Radcliffe Jacqueline Howard. emotions of sympathetic terror, has seldom been produced.' Of course Udolpho still came in for some criticism – that it had 'too much of the terrific'; 4 that 'it would... have been more perfect, as well ...
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... terror. Clara Reeve, building on Walpole's theory of a new kind of romance, had argued in The Progress of Romance (1785) that modern Gothic romance could avoid the improbability of the old by portraying closely a Gothic society remote ...
... terror. Clara Reeve, building on Walpole's theory of a new kind of romance, had argued in The Progress of Romance (1785) that modern Gothic romance could avoid the improbability of the old by portraying closely a Gothic society remote ...
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... terror for which her work is renowned. Consider, by way of example, the creepy incident in Volume I, Chapter VIII, of Udolpho, when Emily decides to make a nocturnal visit to the grave of her father. At his own wish, Monsieur St Aubert ...
... terror for which her work is renowned. Consider, by way of example, the creepy incident in Volume I, Chapter VIII, of Udolpho, when Emily decides to make a nocturnal visit to the grave of her father. At his own wish, Monsieur St Aubert ...
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added affected Annette apartment appeared attention aunt believe Blanche called castle chamber chateau circumstances concerning conduct considered continued conversation Count countenance dark dear distance door Emily Emily’s emotion endeavoured expected expressed eyes fancy father fear felt followed gave give hand happiness hear heard heart hope hour immediately interest Italy kind knew lady Languedoc late leave length light listened live looked Ludovico ma’amselle Madame Madame Montoni manner means melancholy mention mind moment Montoni mountains never night object observed occasioned once opened passed paused perceived person present reached reason received recollected remained remembered replied retired returned round scarcely scene seemed seen servants Signor silent smile sometimes soon sound speak spirits St Aubert steps suffered surprise tears tell terror thought till told travellers trembling turned Valancourt voice walked watch wish woods