Shall wait upon your father's funeral. P. Hen. At Worcester must his body be interr'd; For fo he will'd it. Baft. Thither fhall it then. And happily may your sweet felf put on And true fubjection everlastingly. Sal. And the like tender of our love we make, To reft without a spot for evermore. P. Hen. I have a kind foul, that would give you thanks And knows not how to do it, but with tears. Baft. O, let us pay the time but needful woe," And we shall shock them: Nought shall make us rue, [Exeunt, 7 Let us now indulge in forrow, fince there is abundant caufe for it. England has been long in a fcene of confufion, and its calamities have anticipated our tears. By those which we now shed, we only pay her what is her due. MALONE. I believe the plain meaning of the paffage is this :-As previously we have found fufficient caufe for lamentation, let us not waste the present time in fuperfluous forrow. STEEVENS. 8 If England to itfelf do reft but true.] This fentiment feems borrowed from the conclufion of the old play: "If England's peers and people join in one, "Nor pope, nor France, nor Spain, can do them wrong." STEEVENS. The tragedy of King John, though not written with the utmost power of Shakspeare, is varied with a very pleafing interchange of incidents and characters. The lady's grief is very affecting; and the character of the Baftard contains that mixture of greatness and levity which this author delighted to exhibit. JOHNSON. THE LIFE AND DEATH OF KING RICHARD II.] But this history comprifes little more than the two last years of this prince. The action of the drama begins with Bolingbroke's appealing the duke of Norfolk, on an accufation of high treason, which fell out in the year 1398; and it closes with the murder of King Richard at Pomfret-caftle towards the end of the year 1400, or the beginning of the enfuing year. THEOBALD. It is evident from a paffage in Camden's Annals, that there was an old play on the fubject of Richard the Second; but I know not in what language. Sir Gillie Merick, who was concerned in the hare-brained bufinefs of the Earl of Effex, and was hanged for it, with the ingenious Cuffe, in 1601, is accufed, amongst other things, "quod exoletam tragœdiam de tragicâ abdicatione regis Ricardi Secundi in publico theatro coram conjuratis datâ pecuniâ agi curaffet." I have fince met with a paffage in my Lord Bacon, which proves this play to have been in English. It is in the arraignments of Cuffe and Merick, Vol. IV. p. 412. of Mallet's edition: "The afternoon before the rebellion, Merick, with a great company of others, that afterwards were all in the action, had procured to be played before then the play of depofing King Richard the Second;when it was told him by one of the players, that the play was old, and they fhould have lofs in playing it, becaufe few would come to it, there was forty fhillings extraordinary given to play, and so thereupon played it was.” It may be worth enquiry, whether fome of the rhyming parts of the prefent play, which Mr. Pope thought of a different hand, might not be borrowed from the old one. Certainly however, the general tendency of it must have been very different, fince, as Dr. Johnfon obferves, there are fome expreffions in this of Skakspeare, which strongly inculcate the doctrine of indefeasible right. FARMER. It is probable, I think, that the play which Sir Gilly Merick procured to be reprefented, bore the title of HENRY IV. and not of RICHARD II. Camden calls it "exoletam tragediam de tragica abdicatione regis Ricardi fecundi ;" and (Lord Bacon in his account of The Effect of that which palled at the arraignment of Merick and others) fays, That the afternoon before the rebellion, Merick had procured to be played before them, the play of depofing King Rickard the Second." But in a more particular account of the proceeding against Merick, which is printed in the State Trails, Vol. VII. p. 60, the matter is ftated thus: "The ftory of HENRY IV. being fet forth in a play, and in that play there being fet forth the killing of the king upon a ftage; the Friday before, Sir Gilly Merick and fome others of the earl's train having an humour to see a play, they must needs have the play of HENRY IV. The players told them that was ftale; they should get nothing by playing that; but no play elfe would ferve: and Sir Gilly Merick gives forty fhillings to Philips the player to play this, befides whatfoever he could get." Auguftine Auguftine Philippes was one of the patentees of the Globe playhouse with Shakspeare in 1603; but the play here described was certainly not Shakspeare's HENRY IV. as that commences above a year after the death of Richard. TYRWHITT. This play of Shakspeare was first entered at Stationers' Hall by Andrew Wife, Aug. 29, 1597. STEEVENS. It was written, I imagine, in the same year. MALONE, PERSONS King Richard the Second. Edmund of Langley, Duke of York; } John of Gaunt, Duke of Lancaster, uncles to the King. Duke of Aumerle,2 fon to the Duke of York. Duke of Surrey. Earl of Salisbury. Earl Berkley.3 Bushy, Lord Rofs. Lord Willoughby. Lord Fitzwater. Earl of Northumberland: Henry Percy, his fon. Bishop of Carlife. Abbot of Westminster. Lord Marshal; and another lord. Sir Pierce of Exton. Sir Stephen Scroop. Queen to King Richard. Duchefs of Glofter. Duchefs of York. Lady attending on the Queen. Lords, Heralds, Officers, Soldiers, two Gardeners, Keeper, Meffenger, Groom, and other Attendants. SCENE, difperfedly in England and Wales. 2 Duke of Aumerle,] Aumerle, or Aumale, is the French for what we now call Albemarle, which is a town in Normandy. generally ufe the French title. STEEVENS. The old hiftorians 3 Earl Berkley.] It ought to be Lord Berkley. There was no Ear! Berkley till fonie ages after. STEEVENS. 4 Lord Rofs.] Now fpelt Roos, one of the duke of Rutland's titles. STEEVENS. |