Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 من الصفحات It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
من داخل الكتاب
النتائج 1-5 من 63
الصفحة ix
... Corneille , Le Theatre ( 1664 edn . ) ( frontispiece and title page ) ( Houghton Library , Harvard University ) 11. Playbill for Robert Howard's The Committee ( 1697 ) ( Harvard Theatre Collection ) 12. Massinger , Middleton , and ...
... Corneille , Le Theatre ( 1664 edn . ) ( frontispiece and title page ) ( Houghton Library , Harvard University ) 11. Playbill for Robert Howard's The Committee ( 1697 ) ( Harvard Theatre Collection ) 12. Massinger , Middleton , and ...
الصفحة x
... Corneille , La Mort sig . ar ' ( frontispiece ) ( Houghton Library , Harvard University ) 42. Corneille , Le Theatre ( 1660 edn . ) II : 90–1 ( Houghton Library , Harvard University ) 43. Obizzi , L'Ermione ( between pp . 92–3 ) ...
... Corneille , La Mort sig . ar ' ( frontispiece ) ( Houghton Library , Harvard University ) 42. Corneille , Le Theatre ( 1660 edn . ) II : 90–1 ( Houghton Library , Harvard University ) 43. Obizzi , L'Ermione ( between pp . 92–3 ) ...
الصفحة 3
... Corneille or Goethe to the voices of “ marginal ” figures like the cantankerously “ learned ” Renais- sance playwright Feliciana Enríquez de Guzmán , or the various makers of obscene commedia dell'arte lazzi , or the eighteenth ...
... Corneille or Goethe to the voices of “ marginal ” figures like the cantankerously “ learned ” Renais- sance playwright Feliciana Enríquez de Guzmán , or the various makers of obscene commedia dell'arte lazzi , or the eighteenth ...
الصفحة 41
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
الصفحة 42
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
The Sense of the Senses Sound Gesture and the Body on Stage | 147 |
Narrative Form and Theatrical Illusions | 166 |
Framing Space Time Perspective and Motion in the Image | 181 |
THE COMMERCE OF LETTERS | 201 |
Notes | 313 |
Works Cited | 444 |
487 | |
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عبارات ومصطلحات مألوفة
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes