Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 من الصفحات It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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الصفحة 2
... seen as a chapter in the cultural his- tory of communication , in how writing gets turned into action and how action gets recorded in writing , in how people conceive of the relation between them , in how they perform themselves to one ...
... seen as a chapter in the cultural his- tory of communication , in how writing gets turned into action and how action gets recorded in writing , in how people conceive of the relation between them , in how they perform themselves to one ...
الصفحة 4
... seen as steadily evolutionary or revo- lutionary , but as something more kaleidoscopic : moving in fits and starts , drawing on pre - existing institutions , conceptual paradigms , and aesthetic forms , and recombin- ing and remaking ...
... seen as steadily evolutionary or revo- lutionary , but as something more kaleidoscopic : moving in fits and starts , drawing on pre - existing institutions , conceptual paradigms , and aesthetic forms , and recombin- ing and remaking ...
الصفحة 5
... seen in the illustrations to his True Description of All Trades ( 1568 ) .14 As important , those attempting to re - create ancient performances on stages in academies , universities , and courts across Europe were drawing their ...
... seen in the illustrations to his True Description of All Trades ( 1568 ) .14 As important , those attempting to re - create ancient performances on stages in academies , universities , and courts across Europe were drawing their ...
الصفحة 10
... relation with the performing machine and the end of an era in which theatre was seen through , defined by , and understood in relation to the printed text . Note on Editions , Spellings , Translations , and Citations IO Introduction.
... relation with the performing machine and the end of an era in which theatre was seen through , defined by , and understood in relation to the printed text . Note on Editions , Spellings , Translations , and Citations IO Introduction.
الصفحة 16
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
The Sense of the Senses Sound Gesture and the Body on Stage | 147 |
Narrative Form and Theatrical Illusions | 166 |
Framing Space Time Perspective and Motion in the Image | 181 |
THE COMMERCE OF LETTERS | 201 |
Notes | 313 |
Works Cited | 444 |
487 | |
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عبارات ومصطلحات مألوفة
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes