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"Corneille loved; he made verses for his mistress, became a poet, composed Melite, and afterwards his other celebrated works. The discreet Corneille had remained a lawyer."

"Thus it is, that the devotion of a mother, the death of Cromwell, deer-stealing, the exclamation of an old man, and the beauty of a woman, have given five illustrious characters to Europe."

We owe the great discovery of Newton to a very trivial accident. When a student at Cambridge, he had retired during the time of the plague into the country. As he was reading under an apple-tree, one of the fruit fell, and struck him a smart blow on the head. When he observed the smallness of the apple, he was surprised at the force of the stroke. This led him to consider the accelerating motion of falling bodies; from whence he deduced the principle of gravity, and laid the foundation of his philosophy.

Ignatius Loyola was a Spanish gentleman, who was dangerously wounded at the siege of Pampaluna. Having heated his imagination by reading the Lives of the Saints, which were brought to him in his illness, instead of a romance, he conceived a strong ambition to be the founder of a religious order: whence originated the celebrated society of the Jesuits.

Rousseau found his eccentric powers first awakened by the advertisement of the singular

annual subject which the academy of Dijon proposed for that year, in which he wrote his celebrated Declamation against the arts and sciences. A circumstance which determined his future literary efforts.

La Fontaine, at the age of twenty-two, had not taken any profession, or devoted himself to any pursuit. Having accidentally heard some verses of Malherbe, he felt a sudden impulse, which directed his future life. He immediately bought a Malherbe, and was so exquisitely delighted with this poet, that after passing the nights in treasuring his verses in his memory, he would run in the day-time to the woods, where concealing himself, he would recite his verses to the surrounding dryads.

Flamsteed was an astronomer by accident. He was taken from school on account of his illness, when Sacrobosco's book de Sphæra having been lent to him, he was so pleased with it, that he immediately began a course of astronomic studies. Pennant's first propensity to natural history was the pleasure he received from an accidental perusal of Willoughby's work on birds: the same accident, of finding on the table of his professor, Reaumur's History of Insects, of which he read more than he attended to the lecture, and having been refused the loan, gave such an in

stant turn to the mind of Bonnet, that he hastened to obtain a copy, but found many difficulties in procuring this costly work; its possession gave an unalterable direction to his future life; this naturalist indeed lost the use of his sight by his devotion to the microscope.

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Dr. Franklin attributes the cast of his genius to a similar accident. "I found a work of De Foe's, entitled an Essay on Projects,' from which perhaps I derived impressions that have since influenced some of the principal events of my life.”

I shall add the incident which occasioned Roger Ascham to write his Schoolmaster, one of the most curious and useful treatises among our elder writers.

At a dinner given by Sir William Cecil, during the plague in 1563, at his apartments at Windsor, where the queen had taken refuge, a number of ingenious men were invited. Secretary Cecil communicated the news of the morning, that several scholars at Eton had run away on account of their master's severity, which he condemned as a great error in the education of youth. Sir William Petre maintained the contrary; severe in his own temper, he pleaded warmly in defence of hard flogging. Dr. Wootton, in softer tones, sided with the Secretary. Sir John Mason, adopting no side, bantered both. Mr. Haddon seconded the hard

hearted Sir William Petre, and adduced, as an evidence, that the best schoolmaster then in England was the hardest flogger. Then was it that Roger Ascham indignantly exclaimed, that if such a master had an able scholar it was owing to the boy's genius, and not the preceptor's rod. Secretary Cecil and others were pleased with Ascham's notions. Sir Richard Sackville was silent, but when Ascham after dinner went to the queen to read one of the orations of Demosthenes, he took him aside, and frankly told him that though he had taken no part in the debate, he would not have been absent from that conversation for a great deal; that he knew to his cost the truth Ascham had supported; for it was the perpetual flogging of such a schoolmaster, that had given him an unconquerable aversion to study. And as he wished to remedy this defect in his

earnestly exhorted Ascham to

own children, he

write his observa

tions on so interesting a topic. Such was the circumstance which produced the admirable treatise of Roger Ascham.

INEQUALITIES OF GENIUS.

SINGULAR inequalities are observable in the labours of genius; and particularly in those

VOL. I.

M

which admit great enthusiasm, as in poetry, in painting, and in music. Faultless mediocrity industry can preserve in one continued degree; but excellence, the daring and the happy, can only be attained, by human faculties, by starts.

Our poets who possess the greatest genius, with, perhaps, the least industry, have at the same time the most splendid and the worst passages of poetry. Shakespeare and Dryden are at once the greatest and the least of our poets. With some, their great fault consists in having none.

Carraccio sarcastically said of Tintoret-Ho veduto il Tintoretto hora eguale a Titiano, hora minora del Tintoretto-"I have seen Tintoret now equal to Titian, and now less than Tintoret."

Trublet very justly observes-The more there are beauties, and great beauties, in a work, I am the less surprised to find faults, and great faults. When you say of a work-that it has many faults; that decides nothing: and I do not know by this, whether it is execrable, or excellent. You tell me of another—that it is without any faults; if your account be just, it is certain the work cannot be excellent.

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