THE LIVES

OF THE

MOST EMINENT ENGLISH POETS.

COWLEY.

THE LIFE OF COWLEY, notwithstanding the penury of English biography, has been written by dr. Sprat, an author whose pregnancy of imagination and elegance of language have deservedly set him high in the ranks of literature; but his zeal of friendship, or ambition of eloquence, has produced a funeral oration rather than a history: he has given the character, not the life, of Cowley; for he writes with so little detail, that scarcely any thing is distinctly known, but all is shewn confused and enlarged through the mist of panegyric.

ABRAHAM COWLEY was born in the year 1618. His father was a grocer, whose condition dr. Sprat conceals under the general appellation of a citizen; and, what would probably not have been less carefully suppressed, the omission of his name in the register of St. Dunstan's parish gives reason to suspect that his father was a sectary. Whoever he was, he died before the birth of his son, and consequently left him to the care of his mother; whom Wood represents as struggling earnestly to procure him a literary education; and who, as she lived to the age of 80, had her solicitude rewarded by seeing her son eminent, and, I hope, by seeing him fortunate, and partaking his prosperity. We

know at least, from Sprat's account, that he always acknowledged her care, and justly paid the dues of filial gratitude.

In the window of his mother's apartment lay Spenser's Fairy Queen; in which he very early took delight to read, till, by feeling the charms of verse, he became, as he relates, irrecoverably a poet. Such are the accidents which, sometimes remembered, and perhaps sometimes forgotten, produce that particular designation of mind, and propensity for some certain science or employment, which is commonly called genius. The true genius is a mind of large general powers, accidentally determined to some particular direction. Sir Joshua Reynolds, the great painter of the present age, had the first fondness for his art excited by the perusal of Richardson's treatise.

By his mother's solicitation, he was admitted into Westminster school, where he was soon distinguished. He was wont, says Sprat, to relate, "That he had this defect in his memory at that time, that his teachers never could bring it to retain the ordinary rules of grammar.”

This is an instance of the natural desire of man to propagate a wonder. It is surely very difficult to tell any thing as it was heard, when Sprat could not refrain from amplifying a commodious incident, though the book to which he prefixed his narrative contained its confutation. A memory admitting some things, and rejecting others, an intellectual digestion that concocted the pulp of learning, but refused the husks, had the appearance of an instinctive elegance, of a particular provision made by nature for literary politeness. But, in the author's own honest relation, the marvel vanishes: he was, he says, such " an enemy to all constraint, that his master never could prevail on him to learn the rules without book." He does not tell that he could not learn the rules; but that, being able to perform his exercises without them, and being an enemy to constraint," he spared himself the labour.

Among the English poets, Cowley, Milton, and Pope might be said "to lisp in numbers;" and have given such early proofs, not only of powers of language, but of comprehension of things, as to more tardy minds seem scarcely

credible. But of the learned puerilities of Cowley there is no doubt, since a volume of his poems was not only written but printed in his 13th year; containing, with other poetical compositions, "The tragical History of Pyramus and Thisbe," written when he was ten years old; and "Constantia and Philetus," written two years after.

While he was yet at school, he produced a comedy called "Love's Riddle," though it was not published till he had been some time at Cambridge. This comedy is of the pastoral kind, which requires no acquaintance with the living world, and therefore the time at which it was composed adds little to the wonders of Cowley's minority.

In 1636, he was removed to Cambridge, where he continued his studies with great intenseness; for he is said to have written, while he was yet a young student, the greater part of his "Davideis;" a work of which the materials could not have been collected without the study of many years, but by a mind of the greatest vigour and activity.

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Two years after his settlement at Cambridge, he published "Love's Riddle," with a poetical dedication to sir Kenelm Digby; of whose acquaintance all his contemporaries seem to have been ambitious; and Naufragium Joculare," a comedy written in Latin, but without due attention to the ancient models; for it is not loose verse, but mere prose. It was printed with a dedication in verse to dr. Comber, master of the college; but, having neither the facility of a popular nor the accuracy of a learned work, it seems to be now universally neglected.

At the beginning of the civil war, as the prince passed through Cambridge in his way to York, he was entertained with a representation of the "Guardian," a comedy, which Cowley says was neither written nor acted, but roughdrawn by him, and repeated by the scholars. That this comedy was printed during his absence from his country, he appears to have considered as injurious to his reputation; though, during the suppression of the theatres, it was sometimes privately acted with sufficient approbation.

In 1643, being now master of arts he was, by the prevalence of the parliament, ejected from Cambridge, and sheltered himself at St. John's college in Oxford; where, as is

said by Wood, he published a satire, called "The Puritan and Papist," which was only inserted in the last collection of his works; and so distinguished himself by the warmth of his loyalty and the elegance of his conversation, that he gained the kindness and confidence of those who attended the king, and amongst others of lord Falkland, whose notice cast a lustre on all to whom it was extended.

About the time when Oxford was surrendered to the parliament, he followed the queen to Paris, where he became secretary to the lord Jermyn, afterwards earl of St. Alban's, and was employed in such correspondence as the royal cause required, and particularly in cyphering and decyphering the letters that passed between the king and queen; an employment of the highest confidence and honour. So wide was his province of intelligence, that, for several years, it filled all his days and two or three nights in the week.

In the year 1647, his "Mistress" was published; for he imagined, as he declared in his preface to a subsequent edition, that "poets are scarcely thought freemen of their company, without paying some duties, or obliging themselves to be true to love."

This obligation to amorous ditties owes, I believe, its original to the fame of Petrarch, who, in an age rude and uncultivated, by his tuneful homage to his Laura, refined the manners of the lettered world, and filled Europe with love and poetry. But the basis of all excellence is truth: he that professes love ought to feel its power. Petrarch was a real lover, and Laura doubtless deserved his tenderness. Of Cowley, we are told by Barnes,* who had means enough of information, that, whatever he may talk of his own inflammability, and the variety of characters by which his heart was divided, he in reality was in love but once, and then never had resolution to tell his passion.

This consideration cannot but abate, in some measure, the reader's esteem for the work and the author. To love excellence is natural; it is natural likewise for the lover to solicit reciprocal regard, by an elaborato display of his

Barnesii Anacreontem