Sources of Dramatic Theory: Volume 2, Voltaire to Hugo
Cambridge University Press, 1991 - 292 من الصفحات
This is the second volume in the series Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theatre from the eighteenth and early nineteenth centuries, focusing on issues that are still relevant to our understanding of drama and theatre. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge.Many of the texts have been newly translated for this volume and all have been newly annotated and introduced.Recurrent topics and allusions are traced by a system of cross-references.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
Sir Richard Steele
Mlle Dumesnil MarieFrançoise Marchand
PierreAugustin Caron de Beaumarchais
Johann Wolfgang von Goethe
Mme de Staël AnneLouiseGermaine Necker
Georg Wilhelm Friedrich Hegel
Samuel Taylor Coleridge
Heinrich von Kleist
Stendhal Henri Beyle
according action actor actual Aeschylus allowed ancient appear artistic audience beautiful become believe bring characters chorus comedy complete considered Corneille criticism dialogue DORVAL drama effect emotions entire epic everything excellent existence expression eyes fear feeling follow force French genius genre give given Greek hand happened heart human idea illusion imagination imitation important individual interest Italy kind language less living matter means mind moral move nature never object observed once particular passions performance perhaps person pity play playwright pleasure poet poetic poetry possible present produce reading reason relation representation represented role rules scene seems sense serious Shakespeare single situations soul speak spectator spirit stage theatre theatrical theory things thought tragedy tragic translated true truth unity whole writing written