Sources of Dramatic Theory: Volume 2, Voltaire to HugoMichael J. Sidnell Cambridge University Press, 1991 - 278 من الصفحات This is the second volume in the series Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theatre from the eighteenth and early nineteenth centuries, focusing on issues that are still relevant to our understanding of drama and theatre. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge.Many of the texts have been newly translated for this volume and all have been newly annotated and introduced.Recurrent topics and allusions are traced by a system of cross-references. |
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المحتوى
Sir Richard Steele | 16 |
Pietro Metastasio | 31 |
Carlo Goldoni | 72 |
David Hume | 88 |
Mlle Dumesnil MarieFrançoise Marchand | 94 |
Carlo Gozzi | 102 |
PierreAugustin Caron de Beaumarchais | 127 |
Johann Wolfgang von Goethe | 134 |
Mme de Staël AnneLouiseGermaine Necker | 183 |
Georg Wilhelm Friedrich Hegel | 206 |
Samuel Taylor Coleridge | 219 |
Heinrich von Kleist | 234 |
William Hazlitt | 241 |
Stendhal Henri Beyle | 249 |
VictorMarie Hugo | 256 |
266 | |
Friedrich von Schiller | 153 |
Decrees and Documents of the French Revolution | 171 |
Joanna Baillie | 177 |
272 | |
عبارات ومصطلحات مألوفة
action actor actual Aeschylus ancient appear Aristotle artistic audience Beaumarchais beautiful believe characters chorus Coleridge Colley Cibber Comédie-Française comic commedia dell'arte Corneille coup de théâtre criticism dialogue Diderot DORVAL drama dramatist Drury Lane effect emotions epic everything excite expression fear feeling French further reading genius give Goethe Greek Hazlitt heart Hegel heroes human idea illusion imagination imitation improvised comedy individual interest kind language less living lyric means mind Mlle modern Molière moral nation nature never Newly translated object observed Oedipus passions performance person pity play playwright pleasure poet poetic present produce Racine reason representation ridiculous role romantic rules scene Schiller Schlegel sense serious genre Serlo Shakespeare Sophocles soul speak spectator spirit stage Stendhal taste theatre theatrical theory things three unities tragic true truth unity of place verse Voltaire whole Wilhelm words writing