The irruption of his motley crew, with beat of drum, according to ancient custom, was the consummation of uproar and merriment. Master Simon covered himself with glory by the stateliness with which, as Ancient Christmas, he walked a minuet with the peerless, though giggling, Dame Mince Pie. It was followed by a dance of all the characters, which, from its medley of costumes, seemed as though the old family portraits had skipped down from their frames to join in the sport. Different centuries were figuring at cross hands and right and left; the dark ages were cutting pirouettes and rigadoons; and the days of Queen Bess jigging merrily down the middle, through a line of succeeding generations.

The worthy squire contemplated these fantastic sports, and this resurrection of his old wardrobe, with the simple relish of childish delight. He stood chuckling and rubbing his hands, and scarcely hearing a word the parson said, notwithstanding that the latter was discoursing most authentically on the ancient and stately dance of the Pavon, or peacock, from which he conceived the minuet to be derived.1 For my part, I was in a continual excitement from the various scenes of whim

and innocent gayety passing before me. It was inspir

1 Sir John Hawkins, speaking of the dance called the Pavon, from pavo, a peacock, says, "It is a grave and majestic dance; the method of dancing it anciently was by gentlemen dressed with caps and swords, by those of the long robe in their gowns, by the peers in their mantles, and by the ladies in gowns with long trains, the motion whereof in dancing resembled that of a peacock."- History of Music.

ing to see wild-eyed frolic and warm-hearted hospitality breaking out from among the chills and glooms of winter, and old age throwing off his apathy, and catching once more the freshness of youthful enjoyment. I felt also an interest in the scene, from the consideration that these fleeting customs were posting fast into oblivion, and that this was, perhaps, the only family in England in which the whole of them was still punctiliously observed. There was a quaintness, too, mingled with all this revelry, that gave it a peculiar zest it was suited to the time and place; and as the old manorhouse almost reeled with mirth and wassail, it seemed echoing back the joviality of long departed years.1

But enough of Christmas and its gambols; it is time for me to pause in this garrulity. Methinks I hear the questions asked by my graver readers, "To what purpose is all this; how is the world to be made wiser by this talk?" Alas! is there not wisdom enough extant for the instruction of the world? And if not, are there not thousands of abler pens laboring for its improvement? It is so much pleasanter to please than to instruct, to play the companion rather than the perceptor.

What, after all, is the mite of wisdom that I could

1 At the time of the first publication of this paper, the picture of an old-fashioned Christmas in the country was pronounced by some as out of date. The author had afterwards an opportunity of witnessing almost all the customs above described, existing in unexpected vigor in the skirts of Derbyshire and Yorkshire, where he passed the Christmas holidays. The reader will find some notice of them in the author's account of his sojourn at Newstead Abbey.

throw into the mass of knowledge; or how am I sure that my sagest deductions may be safe guides for the opinions of others? But, in writing to amuse, if I fail, the only evil is in my own disappointment. If, however, I can by any lucky chance, in these days of evil, rub out one wrinkle from the brow of care, or beguile the heavy heart of one moment of sorrow; if I can now and then penetrate through the gathering film of misanthropy, prompt a benevolent view of human nature, and make my reader more in good-humor with his fellowbeings and himself, surely, surely, I shall not then have written entirely in vain.

STRATFORD-ON-AVON.

Thou soft-flowing Avon, by thy silver stream

Of things more than mortal sweet Shakspeare would dream;
The fairies by moonlight dance round his green bed,
For hallow'd the turf is which pillow'd his head.

GARRICK.

To a homeless man, who has no spot on this wide world which he can truly call his own, there is a momentary feeling of something like independence and territorial consequence, when, after a weary day's travel, he kicks off his boots, thrusts his feet into slippers, and stretches himself before an inn fire. Let the world without go as it may; let kingdoms rise or fall, so long as he has the wherewithal to pay his bill, he is, for the time being, the very monarch of all he surveys. The armchair is his throne, the poker his sceptre, and the little parlor, some twelve feet square, his undisputed empire. It is a morsel of certainty, snatched from the midst of the uncertainties of life; it is a sunny moment, gleaming out kindly on a cloudy day; and he who has. advanced some way on a pilgrimage of existence, knows the importance of husbanding even morsels and moments of enjoyment. "Shall I not take mine ease in mine inn?" thought I, as I gave the fire a stir, lolled back in

my elbow-chair, and cast a complacent look about the little parlor of the Red Horse, at Stratford-on-Avon.

The words of sweet Shakspeare were just passing through my mind as the clock struck midnight from the tower of the church in which he lies buried. There was a gentle tap at the door, and a pretty chambermaid, putting in her smiling face, inquired, with a hesitating air, whether I had rung. I understood it as a modest hint that it was time to retire. My dream of absolute dominion was at an end; so abdicating my throne, like a prudent potentate, to avoid being deposed, and putting the Stratford Guide-Book under my arm, as a pillow companion, I went to bed, and dreamt all night of Shakspeare, the jubilee, and David Garrick.

The next morning was one of those quickening mornings which we sometimes have in early spring; for it was about the middle of March. The chills of a long winter had suddenly given way; the north wind had spent its last gasp; and a mild air came stealing from the west, breathing the breath of life into nature, and wooing every bud and flower to burst forth into fragrance and beauty.

I had come to Stratford on a poetical pilgrimage. My first visit was to the house where Shakspeare was born, and where, according to tradition, he was brought up to his father's craft of wool-combing. It is a small, meanlooking edifice of wood and plaster, a true nestling-place of genius, which seems to delight in hatching its offspring in by-corners. The walls of its squalid chambers are covered with names and inscriptions in every lan