Romanticism and Religion from William Cowper to Wallace StevensGavin Hopps, Jane Stabler Ashgate Publishing, Ltd., 2006 - 262 من الصفحات Covering the entire field of Romanticism from its eighteenth-century origins in the writing of William Cowper to late-twentieth-century manifestations in the work of Wallace Stevens, this collection is an original and much-needed intervention in Romantic studies, bringing together the contextual awareness of recent historicist scholarship with the newly awakened interest in matters of form and an appreciation of the challenges of postmodern theory. |
المحتوى
Approaching the Unapproached Light Milton and the Romantic Visionary | 25 |
Cowper Prospects Self Nature Society | 41 |
Je sais bien mais quand même Wordsworths Faithful Scepticism | 57 |
Catholic Contagion Southey Coleridge and English Romantic Anxieties | 75 |
Sacrifice and Offering Thou Didst Not Desire Byron and Atonement | 93 |
I was Bred a Moderate Presbyterian Byron Thomas Chalmers and the Scottish Religious Heritage | 107 |
Byrons Confessional Pilgrimage | 121 |
Words and the Word The Diction of Don Juan | 137 |
Byrons Monky Business Ghostly Closure and Comic Continuity | 167 |
A Fine Excess Hopkins Keats and the Gratuity of Grace | 181 |
Until Death Tramples It to Fragments Percy Bysshe Shelley after Postmodern Theology | 191 |
Sacred Art and Profane Poets | 207 |
The Death of Satan Stevenss Esthetique du Mal Evil and the Romantic Imagination | 223 |
| 237 | |
| 255 | |
Why Should I Speak? Scepticism and the Voice of Poetry in Byrons Cain | 155 |
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عبارات ومصطلحات مألوفة
aesthetic affirmation angels argues atheism beauty Bernard Beatty Byron Cain Cain's Cambridge Canto Catholic Catholicism Chalmers Childe Harold Childe Harold's Pilgrimage Christ Christian Church claim Coleridge Coleridge's confession confessional Cowper criticism death describes divine Don Juan English essay evil faith figure fragments God's grace Harold Bloom heaven Hopkins human Ibid imagination immanent John Keats Keats's language of seeming Letters light Lord Lord Byron Lucifer Mary Shelley McGann metaphor Milton mind modern monk moral narrative nature Oxford University Press Paradise Lost paradoxical Percy Shelley philosophy pilgrimage poem poem's poet poet's poetic political postmodern Prometheus Prose Raphael reader reading Reiman relationship religion religious Romantic poetry Romanticism Samuel Taylor Coleridge scepticism secular sense Shelley Shelley's Southey spirit stanza Stevens Stevens's sublime suffering suggests T.S. Eliot theological things Thomas Thomas Chalmers Tracy tradition transcendent vision visionary vols London Wallace Stevens William William Wordsworth words Wordsworth writing
مقاطع مشهورة
الصفحة 12 - And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all?