صور الصفحة
PDF
النشر الإلكتروني

LESSON XIX./7

NIGHT IN EDEN."

MRS. EVANS.

1. 'T WAS moonlight in Eden! Such moonlight, I ween," As never again on this earth shall be seen;

So soft fell the radiance, so wondrously blue

Was the sky, with its star-enthroned angels in view!

2. How bright was the bower where the fair-fingered Eve The blossoming garlands delighted to weave;

While the rose caught its blush from her cheek's living dye
And the violet its hue from her love-lighted eye.

3. There, lulled by the murmurs of musical streams,
And charmed by the rainbow-winged spirit of dreams,
The eyes softly closed that so soon were to weep,
Our parents reposed in a bliss-haunted sleep.

4. But other forms gazed on the grandeur of night,
And beings celestial grew glad at the sight;

All warm from the glow of their amber-hued skies,
How strange seemed the shadows of earth to their eyes!

5. There, azure-robed Beauty, with rapture-lit smile,
Her golden wings folded, reclined for a while;
And the Seraph of Melody breathed but a word,
Then listened entranced at the echoes she heard.

6 From mountain and forest an organ-like tone;
From nill-top and valley a mellower one;

Stream, fountain, and fall, whispered low to the sod,
For the word that she spoke was the name of our God!

a The garden of Eden, in which Adam and Eve were placed, is supposed to have been on the river Euphrates, a little north of the Persian gulf. b Ween; think, fancy.

7. With blushes like Eden's own rose in its bloom,
Her censer slow wafting ambrosial" perfume,
With soft-veiling tresses of sunny-hued hair,
The spirit of fragrance breathed sweet on the air.

8. Then first on the ears of the angels of light

Rose the singing of birds that enchanted the night;
For the breezes are minstrels in heaven, they say,
And the leaves and the flowers have a musical play.

9. Each form of creation with joy was surveyed,

From the gentle gazelle to the kings of the glade;
And lily-crowned Innocence gazed in the eyes
Of the thunder-voiced lion, with smiling surprise.

10. All night, as if stars were deserting their posts,

The heavens were bright with the swift-coming hosts!
While the sentinel mountains, in garments of green,
With glory-decked foreheads, like monarchs were seen.

11. O Eden, fair Eden! where now is thy bloom?

And where are the pure ones that wept o'er thy doom?
Their plumes never lighten our shadowy skies,
Their voices no more on earth's breezes arise.

12. But joy for the faith that is strong in its powers,
A fairer and better land yet shall be ours;

When Sin shall be vanquished, and Death yield his prey,
And earth with her nations Jehovah obey.

13. Then, nobler than Adam, more charming than Eve,
The Son of the Highest his palace shall leave;
While the saints who adored Him arise from the tomb,
At the triumph-strain, telling "His Kingdom is come!"

Cen'ser; a vessel in which incense is burned. b Am-bro'si-al; fragrant. c Ga zelle; a small species of antelope.

LESSON XX. 2.0

WESTMINSTER ABBEY."

LESTFR.

1. ONE sees in Westminster Abbey almost as much as he would have seen had he lived in England for a thousand years. If a great person has died, or a great deed been done in this island for centuries, they have brought some memento and placed it within these walls. Here we read the story of the virtues and the crimes of England's great men; here we find their monuments, their escutcheons," and their ashes.

2. In different ages, and from different scenes of action, England's kings have come to these solemn cloisters at last, to forget in the deep slumber of the grave, the troubles, the follies and the guilt of the life just ended. No one of them, as he went to his sepulcher, stopped to listen to the clamors that swelled behind him; to the contentions of fierce and eager aspirants to his vacant throne.

3. Henry Seventh's chapel is called "the wonder of the world." It stands at the east end of the Abbey, and is so neatly joined to it that it seems to be part of the main edifice. It is adorned with sixteen Gothic towers, beautifully ornamented, and jutting from the building in different angles. It is built on the plan of a cathedral, with a nave and side aisles. The entrance to this chapel is through curiously wrought, ponderous gates of brass. The lofty ceiling is worked into an astonishing variety of designs, and you may imagine my surprise when I was told that it was all wrought in solid stone. A celebrated French architect afterward told me that one man could not complete the work upon that ceiling in less time than a thousand years.

4. But they are not all of royal or noble blood that rest here. Greater Englishmen than English kings have a name

b Es

a West'min-ster Abbey; a burial place in London for the illustrious dead. cutch'eons; shields or coats of arms. c Henry Seventh; the first king of England of the race of Tudor.

[ocr errors]

and a grave within these solemn chambers. Bucklers, helmets, and broadswords are spread over the tomb of the bold baron; the cross and the crosier mark the sepulcher of some pious bishop; and over this tomb are banners, streamers, and all the insignia of naval triumph, doing honor to some captain of the sea, who is here alike forgetful of the roar of the battle and the terrors of the wreck.

5. As you pass along those aisles whose silence is unbroken save by your own footfall, and read the quaint epitaph of heroes of olden time, insensibly will the impression steal over the imagination that it was but yesterday that all these dead were alive, and you, a stranger from the far future, have been carried back to the days of ancient chivalry to converse with walking shadows; to think of the present as though it were a prophecy, a dream, or a hope, and of the past as though it were a reality.

6. And yet speak to that suit of armor which seems now to threaten as it once did in battle, it returns no answer; the voice is still, that once spoke through those iron jaws, and the cold moisture which gathers on its rusted face seems like tears shed over the hero who once wore it.

7. When the mind is full of thoughts suggested by these relics of antiquity, and the heart full of emotions; when the images of great men who have long flitted around the fancy appear, and we see before us the very sword they once used in battle, and the very banner that once floated over them, there is no room left for other thought; we can not contemplate modern times or our own existence.

8. While we are lingering in a place where England has preserved all that she could of the great and the virtuous, a place of which we have read and thought from childhood, and around which so many bright recollections cluster, what marvel if hours on hours steal away, ere we wake from the strong illusion.

a Cro'sier; a bishop's staff with a cross on it. b In-sig'nia; badges or marks of dis tinction.

LESSON XXI. 21

THE SAME SUBJECT, CONTINUED.

1. THE day had passed away as a night of rich dreams. goes by, and we were unconscious how long we had been strolling around the walls, until the evening light began to stream in more and more feebly through the lofty, stained windows, and a deeper gloom settled upon every part of the Abbey. And when increasing darkness had spread through all the cloisters, chapels, and passages, a more solemn and mysterious gloom, I could not but ask, What is night, deep, dark night, without moon, star, or taper, around these silent poets, barons, priests, sages, heroes, and kings?

2. Is never a sigh heard to come forth from these damp tombs ? a shout from some sleeping warrior? Might we not hear from some part of the Abbey a faint voice as if it came from "spirit land?" No! these dead do never waken or walk; the battle-ax has fallen from the strong hand of the Saxon and the Norman, and they rest in stillness together. Genius, which lived in sorrow and died in want, here sleeps as proudly as royalty. All is silence; but here "silence is greater than speech."

3. This is the great treasure-house of England. If every record on earth besides were blotted out, and the memory of the living should fade away, the stranger could still in Westminster Abbey write the history of the past; for England's records are here, from the rude and bloody escutcheons of the ancient Briton to the ensigns of Norman chivalry, and from these to admiralty stars and civic honors. The changes which civilization has made in its progress through the world, have left their impressions upon these stones and marbles.

4. On the monument where each great man rests, his age has uttered its language; and among such numbers of the dead, there is the language of many ages. England speaks from its barbarity, its revolutions, and its newest civilization. Each generation has laid some of its illustrious ones here,

« السابقةمتابعة »