Music: A View from Delft. Selected EssaysUniversity of Chicago Press, 24/04/1989 - 334 من الصفحات Included in these eighteen essays by Cone are his never-before-published essay, "The World of Opera and Its Inhabitants," the unabridged version of "Music: A View from Delft," an introduction to this collection by the author himself, and a complete bibliography of his published writings. "This selection of [Cone's] writings includes all the most incandescent and influential articles. We should have had such a book long ago."—Joseph Kerman, University of California at Berkeley Winner of the ASCAP-Deems Taylor Award for 1990 |
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النتائج 1-5 من 27
الصفحة vi
... The Progress of a Method 293 In Defense of Song : The Contribution of Roger Sessions 303 Edward T. Cone : A Chronological Bibliography 323 Acknowledgments 327 Index 329 Preface During the past few decades Edward T. Cone has vi.
... The Progress of a Method 293 In Defense of Song : The Contribution of Roger Sessions 303 Edward T. Cone : A Chronological Bibliography 323 Acknowledgments 327 Index 329 Preface During the past few decades Edward T. Cone has vi.
الصفحة 1
... Sessions for publication in book form . Naturally I had no idea then that today I should find myself indebted to my friend and former student Robert Morgan for a similar service ; but because of my own experience I can fully appreciate ...
... Sessions for publication in book form . Naturally I had no idea then that today I should find myself indebted to my friend and former student Robert Morgan for a similar service ; but because of my own experience I can fully appreciate ...
الصفحة 2
... Sessions and Strunk to Prince- ton . If Welch expounded the masterpieces of musical literature as works of art , Sessions , imparting the theory and practice of that art , never let one forget that what he was teaching was first of all ...
... Sessions and Strunk to Prince- ton . If Welch expounded the masterpieces of musical literature as works of art , Sessions , imparting the theory and practice of that art , never let one forget that what he was teaching was first of all ...
الصفحة 7
... apparently Kurth , Schenker , Sessions , and Tovey 15. Robert Smith , " This Sorry Scheme of Things . . . , " The Music Review 22 , no . 1 ( 1961 ) : 212-19 . 16. Ibid . , 218 . all needed hearing aids . 17 To be sure , 7 INTRODUCTION.
... apparently Kurth , Schenker , Sessions , and Tovey 15. Robert Smith , " This Sorry Scheme of Things . . . , " The Music Review 22 , no . 1 ( 1961 ) : 212-19 . 16. Ibid . , 218 . all needed hearing aids . 17 To be sure , 7 INTRODUCTION.
الصفحة 8
... Sessions , Roger Sessions on Music , ed . Edward T. Cone ( Princeton , 1979 ) , 14 ; Donald Francis Tovey , The Forms of Music ( New York , 1956 ) , 68 . 18. Paul Hindemith , The Craft of Musical Composition ( New York , 1945 ) , 1 ...
... Sessions , Roger Sessions on Music , ed . Edward T. Cone ( Princeton , 1979 ) , 14 ; Donald Francis Tovey , The Forms of Music ( New York , 1956 ) , 68 . 18. Paul Hindemith , The Craft of Musical Composition ( New York , 1945 ) , 1 ...
المحتوى
A View from Delft | 13 |
Musical Theory as a Humanistic Discipline | 29 |
Analysis Today | 39 |
Beyond Analysis | 55 |
Three Ways of Reading a Detective Story Or a Brahms Intermezzo | 77 |
The Authority of Music Criticism | 95 |
Music and Words | 113 |
The Composers Approach to the Text | 115 |
The Late Bagatelles | 179 |
Schuberts Unfinished Business | 201 |
The Music of Berlioz | 217 |
An Introduction to Schoenbergs Harmony | 249 |
Weberns Apprenticeship | 267 |
Stravinsky and His Models | 281 |
The Progress of a Method | 293 |
The Contribution of Roger Sessions | 303 |
The World of Opera and Its Inhabitants | 125 |
The Grande messe des morts | 139 |
Verdis Last Operas | 159 |
Nineteenth and TwentiethCentury Masters | 177 |
A Chronological Bibliography | 323 |
Acknowledgments | 327 |
329 | |
عبارات ومصطلحات مألوفة
actual analysis appearance appoggiatura bagatelles bass Beethoven Berlioz cadence cadential chord chordal chromatic coda complete composer composer's composition conception connection context contrast critic Dies irae dissonances dominant effect elements essay example expressive Falstaff final fugue function harmonic hear heard implied important interpretation inversion leading leading tone listener major means measures melody Milton Babbitt minor motif movement normal obvious octave opening opera orchestral original ostinato Otello passage pattern pedal performance Perspectives phrase piano piece point of view progression purely Quartet R. P. Blackmur Reading recapitulation repetition reprise Requiem resolution rhythm rhythmic Roger Sessions scene Schoenberg Sessions's singing Sonata sonata form song sonority sound stanza statement Stravinsky structure style subdominant succession suggest Symphony syntax technique tempo texture thematic theme third tion tonal tone tone row tonic triad Tuba mirum twelve-tone Verdi Verdi's vocal voice voice leading Webern words