Music: A View from Delft. Selected EssaysUniversity of Chicago Press, 24/04/1989 - 334 من الصفحات Included in these eighteen essays by Cone are his never-before-published essay, "The World of Opera and Its Inhabitants," the unabridged version of "Music: A View from Delft," an introduction to this collection by the author himself, and a complete bibliography of his published writings. "This selection of [Cone's] writings includes all the most incandescent and influential articles. We should have had such a book long ago."—Joseph Kerman, University of California at Berkeley Winner of the ASCAP-Deems Taylor Award for 1990 |
من داخل الكتاب
النتائج 1-5 من 71
الصفحة ix
... important senses still ) as his student , and then as his friend and colleague , I feel extremely fortunate and grateful . Robert P. Morgan 1. Edward T. Cone , " The Creative Artist in the University , " American Scholar 16 , no . 2 ...
... important senses still ) as his student , and then as his friend and colleague , I feel extremely fortunate and grateful . Robert P. Morgan 1. Edward T. Cone , " The Creative Artist in the University , " American Scholar 16 , no . 2 ...
الصفحة 1
... important compo- nents of my calling . Moreover , he was not like those academic adminis- trators who , realizing their own inadequacies as creators or scholars , surround themselves with mediocrities in order to ensure their own su ...
... important compo- nents of my calling . Moreover , he was not like those academic adminis- trators who , realizing their own inadequacies as creators or scholars , surround themselves with mediocrities in order to ensure their own su ...
الصفحة 3
... important questions must be answered anew for each artist , for each work - some- times for each new viewing or reading or performance of each work . That is why the study of music , and of art in general , affords me more genuine ...
... important questions must be answered anew for each artist , for each work - some- times for each new viewing or reading or performance of each work . That is why the study of music , and of art in general , affords me more genuine ...
الصفحة 6
... important issues concerning the relations among theory , analysis , and criticism . Another article , " Analysis Today , " elicited two somewhat negative re- actions when it originally appeared in The Musical Quarterly , 13 Neither was ...
... important issues concerning the relations among theory , analysis , and criticism . Another article , " Analysis Today , " elicited two somewhat negative re- actions when it originally appeared in The Musical Quarterly , 13 Neither was ...
الصفحة 8
... important later developments in the opera . Moreover , by taking seri- ously the linear connection that it implied , I arrived at a more flexible interpretation of the disputed opening . I could now perceive a gradual transformation of ...
... important later developments in the opera . Moreover , by taking seri- ously the linear connection that it implied , I arrived at a more flexible interpretation of the disputed opening . I could now perceive a gradual transformation of ...
المحتوى
A View from Delft | 13 |
Musical Theory as a Humanistic Discipline | 29 |
Analysis Today | 39 |
Beyond Analysis | 55 |
Three Ways of Reading a Detective Story Or a Brahms Intermezzo | 77 |
The Authority of Music Criticism | 95 |
Music and Words | 113 |
The Composers Approach to the Text | 115 |
The Late Bagatelles | 179 |
Schuberts Unfinished Business | 201 |
The Music of Berlioz | 217 |
An Introduction to Schoenbergs Harmony | 249 |
Weberns Apprenticeship | 267 |
Stravinsky and His Models | 281 |
The Progress of a Method | 293 |
The Contribution of Roger Sessions | 303 |
The World of Opera and Its Inhabitants | 125 |
The Grande messe des morts | 139 |
Verdis Last Operas | 159 |
Nineteenth and TwentiethCentury Masters | 177 |
A Chronological Bibliography | 323 |
Acknowledgments | 327 |
329 | |
عبارات ومصطلحات مألوفة
actual analysis appearance appoggiatura bagatelles bass Beethoven Berlioz cadence cadential chord chordal chromatic coda complete composer composer's composition conception connection context contrast critic Dies irae dissonances dominant effect elements essay example expressive Falstaff final fugue function harmonic hear heard implied important interpretation inversion leading leading tone listener major means measures melody Milton Babbitt minor motif movement normal obvious octave opening opera orchestral original ostinato Otello passage pattern pedal performance Perspectives phrase piano piece point of view progression purely Quartet R. P. Blackmur Reading recapitulation repetition reprise Requiem resolution rhythm rhythmic Roger Sessions scene Schoenberg Sessions's singing Sonata sonata form song sonority sound stanza statement Stravinsky structure style subdominant succession suggest Symphony syntax technique tempo texture thematic theme third tion tonal tone tone row tonic triad Tuba mirum twelve-tone Verdi Verdi's vocal voice voice leading Webern words