Music: A View from Delft. Selected EssaysUniversity of Chicago Press, 24/04/1989 - 334 من الصفحات Included in these eighteen essays by Cone are his never-before-published essay, "The World of Opera and Its Inhabitants," the unabridged version of "Music: A View from Delft," an introduction to this collection by the author himself, and a complete bibliography of his published writings. "This selection of [Cone's] writings includes all the most incandescent and influential articles. We should have had such a book long ago."—Joseph Kerman, University of California at Berkeley Winner of the ASCAP-Deems Taylor Award for 1990 |
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النتائج 1-5 من 53
الصفحة vii
... questions of aes- thetic meaning and critical interpretation . His sensitive and detailed read- ings of individual compositions , always undertaken with a view toward larger and more general concerns , possess a humanistic dimension all ...
... questions of aes- thetic meaning and critical interpretation . His sensitive and detailed read- ings of individual compositions , always undertaken with a view toward larger and more general concerns , possess a humanistic dimension all ...
الصفحة ix
... Questions of text setting , properly the focus of the second section , are touched upon in both of the outer ones ( see especially the essays on Verdi and Schoenberg in the final section ) . Similarly , the article on Brahms in the ...
... Questions of text setting , properly the focus of the second section , are touched upon in both of the outer ones ( see especially the essays on Verdi and Schoenberg in the final section ) . Similarly , the article on Brahms in the ...
الصفحة 3
... question : What is the relation of content to form in this particular work in its historical context ? Or more simply : What , if anything , does this work communicate ? I stress the particularity because the question has no one type of ...
... question : What is the relation of content to form in this particular work in its historical context ? Or more simply : What , if anything , does this work communicate ? I stress the particularity because the question has no one type of ...
الصفحة 8
... question like this one remains moot for so many years , very likely it will never be settled for the simple reason that there is no one solution . I myself have modified my views on the Tristan Prelude , even to the extent of ...
... question like this one remains moot for so many years , very likely it will never be settled for the simple reason that there is no one solution . I myself have modified my views on the Tristan Prelude , even to the extent of ...
الصفحة 16
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
A View from Delft | 13 |
Musical Theory as a Humanistic Discipline | 29 |
Analysis Today | 39 |
Beyond Analysis | 55 |
Three Ways of Reading a Detective Story Or a Brahms Intermezzo | 77 |
The Authority of Music Criticism | 95 |
Music and Words | 113 |
The Composers Approach to the Text | 115 |
The Late Bagatelles | 179 |
Schuberts Unfinished Business | 201 |
The Music of Berlioz | 217 |
An Introduction to Schoenbergs Harmony | 249 |
Weberns Apprenticeship | 267 |
Stravinsky and His Models | 281 |
The Progress of a Method | 293 |
The Contribution of Roger Sessions | 303 |
The World of Opera and Its Inhabitants | 125 |
The Grande messe des morts | 139 |
Verdis Last Operas | 159 |
Nineteenth and TwentiethCentury Masters | 177 |
A Chronological Bibliography | 323 |
Acknowledgments | 327 |
329 | |
عبارات ومصطلحات مألوفة
actual analysis appearance appoggiatura bagatelles bass Beethoven Berlioz cadence cadential chord chordal chromatic coda complete composer composer's composition conception connection context contrast critic Dies irae dissonances dominant effect elements essay example expressive Falstaff final fugue function harmonic hear heard implied important interpretation inversion leading leading tone listener major means measures melody Milton Babbitt minor motif movement normal obvious octave opening opera orchestral original ostinato Otello passage pattern pedal performance Perspectives phrase piano piece point of view progression purely Quartet R. P. Blackmur Reading recapitulation repetition reprise Requiem resolution rhythm rhythmic Roger Sessions scene Schoenberg Sessions's singing Sonata sonata form song sonority sound stanza statement Stravinsky structure style subdominant succession suggest Symphony syntax technique tempo texture thematic theme third tion tonal tone tone row tonic triad Tuba mirum twelve-tone Verdi Verdi's vocal voice voice leading Webern words