Music: A View from Delft. Selected EssaysUniversity of Chicago Press, 24/04/1989 - 334 من الصفحات Included in these eighteen essays by Cone are his never-before-published essay, "The World of Opera and Its Inhabitants," the unabridged version of "Music: A View from Delft," an introduction to this collection by the author himself, and a complete bibliography of his published writings. "This selection of [Cone's] writings includes all the most incandescent and influential articles. We should have had such a book long ago."—Joseph Kerman, University of California at Berkeley Winner of the ASCAP-Deems Taylor Award for 1990 |
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الصفحة 3
... turn gratefully to the investigation of Verdi's mysterious way with the six - four chord . ) It follows that no critical formulation can ever be final . For that reason I am not ashamed of the inconsistencies and even outright ...
... turn gratefully to the investigation of Verdi's mysterious way with the six - four chord . ) It follows that no critical formulation can ever be final . For that reason I am not ashamed of the inconsistencies and even outright ...
الصفحة 4
... turns out to have constituted , in Stra- vinsky's own mind , a challenge to analysts ; 2 and even those well versed in the master's technique of rotation have only recently begun to unravel the knots embedded here.3 By singling out such ...
... turns out to have constituted , in Stra- vinsky's own mind , a challenge to analysts ; 2 and even those well versed in the master's technique of rotation have only recently begun to unravel the knots embedded here.3 By singling out such ...
الصفحة 5
... turn a fresh perspective on non - operatic song . As a result , one task on which I am currently engaged consists in applying the relevant new concepts to song composition in general . The essay that will no doubt eventuate will thus be ...
... turn a fresh perspective on non - operatic song . As a result , one task on which I am currently engaged consists in applying the relevant new concepts to song composition in general . The essay that will no doubt eventuate will thus be ...
الصفحة 9
... turns out to be purely arbitrary . A student who insisted that Schumann's Nov- ellette No. I was in D minor captured my attention until I found out that his only reason for thinking so was that the first sonority is a D- minor triad ...
... turns out to be purely arbitrary . A student who insisted that Schumann's Nov- ellette No. I was in D minor captured my attention until I found out that his only reason for thinking so was that the first sonority is a D- minor triad ...
الصفحة 14
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
A View from Delft | 13 |
Musical Theory as a Humanistic Discipline | 29 |
Analysis Today | 39 |
Beyond Analysis | 55 |
Three Ways of Reading a Detective Story Or a Brahms Intermezzo | 77 |
The Authority of Music Criticism | 95 |
Music and Words | 113 |
The Composers Approach to the Text | 115 |
The Late Bagatelles | 179 |
Schuberts Unfinished Business | 201 |
The Music of Berlioz | 217 |
An Introduction to Schoenbergs Harmony | 249 |
Weberns Apprenticeship | 267 |
Stravinsky and His Models | 281 |
The Progress of a Method | 293 |
The Contribution of Roger Sessions | 303 |
The World of Opera and Its Inhabitants | 125 |
The Grande messe des morts | 139 |
Verdis Last Operas | 159 |
Nineteenth and TwentiethCentury Masters | 177 |
A Chronological Bibliography | 323 |
Acknowledgments | 327 |
329 | |
عبارات ومصطلحات مألوفة
actual analysis appearance appoggiatura bagatelles bass Beethoven Berlioz cadence cadential chord chordal chromatic coda complete composer composer's composition conception connection context contrast critic Dies irae dissonances dominant effect elements essay example expressive Falstaff final fugue function harmonic hear heard implied important interpretation inversion leading leading tone listener major means measures melody Milton Babbitt minor motif movement normal obvious octave opening opera orchestral original ostinato Otello passage pattern pedal performance Perspectives phrase piano piece point of view progression purely Quartet R. P. Blackmur Reading recapitulation repetition reprise Requiem resolution rhythm rhythmic Roger Sessions scene Schoenberg Sessions's singing Sonata sonata form song sonority sound stanza statement Stravinsky structure style subdominant succession suggest Symphony syntax technique tempo texture thematic theme third tion tonal tone tone row tonic triad Tuba mirum twelve-tone Verdi Verdi's vocal voice voice leading Webern words