 The tone should not be pitched high ; it should be idiomatic, and rather in the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent and never forced, while the entire poem should be marked by tasteful moderation, high...  The Quarterly Review - الصفحة 56المحررون: - 1922عرض كامل - لمحة عن هذا الكتاب
 | 1905 - عدد الصفحات: 862
..."lightness of touch." Locker-Lampson himself, who had a right to speak, says that in occasional verse "the rhythm should be crisp and sparkling, and the...tasteful moderation, high finish, and completeness." As his "London Lyrics"— recently republlshed in their final form, with an introduction by Mr. Austin... | |
 | 1874 - عدد الصفحات: 898
...playful. The tone should not be pitched high, and it should be idiomatic, the rhythm crisp and sparkling, the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness ; for however trivial the subject matter may be, indeed rather in proportion to its triviality, subordination... | |
 | 1881 - عدد الصفحات: 588
...tone should not be pitched high, and the language should be idiomatic, the rhythm crisp and sparkling, the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness, for however trivial the subject matter may be, indeed rather in proportion to its triviality, subordination... | |
 | Frederick Locker- Lampson - 1867 - عدد الصفحات: 380
...distinguished by chastened sentiment, and often playful. The tone should not be pitched high ; it should be idiomatic, and rather in the conversational key ;...tasteful moderation, high finish, and completeness : for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination... | |
 | 1875 - عدد الصفحات: 854
...distinguished by chastened sentiment, and often playful. The tone should not be pitched high ; it should be idiomatic, and rather in the conversational key ;...tasteful moderation, high finish, and completeness ; for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination... | |
 | Frederick Locker-Lampson - 1872 - عدد الصفحات: 230
...playful. The tone should not be pitched high, and it should be idiomatic, the rhythm crisp and sparkling, the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness, for however trivial the subject matter may be, indeed rather in proportion to its triviality, subordination... | |
 | 1874 - عدد الصفحات: 614
...The tone should not be pitched ' high, and it should be idiomatic, the rhythm crisp and spark' ling, the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness ; for however trivial the subject matter may be, indeed rather in proportion to its triviality, subordination... | |
 | George Barnett Smith - 1875 - عدد الصفحات: 458
...playful. The tone should not be pitched high, and it should be idiomatic, the rhythm crisp and sparkling, the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness ; for however trivial the subject matter may be, indeed rather in proportion to its triviality, subordination... | |
 | 1875 - عدد الصفحات: 432
...the conversational key ; the rhythm should be crisp and sparkling, and the rhyme frequent and nerver forced, while the entire poem should be marked by tasteful moderation, high finish, and completeness ; for, however trivial the subject-matter may be, indeed rather in proportion to its triviality, subordination... | |
 | University magazine - 1876 - عدد الصفحات: 828
...should not be pitched high, and tin' language should be idiomatic, the rhythm crisp and sparkling, the rhyme frequent and never forced, while the entire...tasteful moderation, high finish, and completeness ; for however trivial the subject matter may be, indeed rather in proportion to its triviality, subordination... | |
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