The music, or melody of rhythmus of languageGeorg Olms Verlag |
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الصفحة iii
... Scanning Poetry by Cadences as it ought to be Read , and not by the Rules of Prosody ; the Tune and Time of Composition , and the Correct Manner of Reading and Speaking . TO WHICH ARE ADDED , Dutlines of Gesture , AND A SELECTION of ...
... Scanning Poetry by Cadences as it ought to be Read , and not by the Rules of Prosody ; the Tune and Time of Composition , and the Correct Manner of Reading and Speaking . TO WHICH ARE ADDED , Dutlines of Gesture , AND A SELECTION of ...
الصفحة vii
... Scanning and Reading the Classics , ... 21 Scanning by the Rules of Prosody destructive of our finest Classical lines , Moderns , ignorant of the ancient mode of pronouncing the ** Greek and Latin Languages , Absurdity of Scanning ...
... Scanning and Reading the Classics , ... 21 Scanning by the Rules of Prosody destructive of our finest Classical lines , Moderns , ignorant of the ancient mode of pronouncing the ** Greek and Latin Languages , Absurdity of Scanning ...
الصفحة viii
... Scanning by Greek Feet , which excludes Pauses , destruc- Cadences which have most grace and dignity tive of Rhythmus Distichs in Triple Time English Sapphics , Triple Time Various qualities of Cadences , CHAP . IX . ... 33 ib . 34 ...
... Scanning by Greek Feet , which excludes Pauses , destruc- Cadences which have most grace and dignity tive of Rhythmus Distichs in Triple Time English Sapphics , Triple Time Various qualities of Cadences , CHAP . IX . ... 33 ib . 34 ...
الصفحة ix
... scanning them by the rules of Prosody , by which we never read , ... Reformation of Prosodians , not the only object of this Work , 65 ... 72 Syncopizing , or destroying Milton's fine verses by instinct and imperceptibility , ... 75 ...
... scanning them by the rules of Prosody , by which we never read , ... Reformation of Prosodians , not the only object of this Work , 65 ... 72 Syncopizing , or destroying Milton's fine verses by instinct and imperceptibility , ... 75 ...
الصفحة xiv
... scan- ning , as practised by our most popular Prosodians , with the plan recommended in this system ; so that the ... scanning of English verse by Greek and Latin prosody , it may possibly meet with some opposition , especially from ...
... scan- ning , as practised by our most popular Prosodians , with the plan recommended in this system ; so that the ... scanning of English verse by Greek and Latin prosody , it may possibly meet with some opposition , especially from ...
المحتوى
Music its Division into Sound and Measure or Melody | 6 |
Modulation of Voice | 7 |
Thesis and Arsis overlooked or misunderstood by Com | 16 |
Scanning by the Rules of Prosody destructive of our finest | 22 |
The Meagre Quantity allowed by Commentators Proso | 23 |
Lengths of Poetic lines no necessary part of Rhythmus | 28 |
Cadence what and how divided | 29 |
Quality of Cadences those admissible those inadmissible | 38 |
Sacred Pieces in Prose and Verse | 137 |
CHAP IV | 154 |
Habakkuk Chap | 159 |
CHAP V | 163 |
The Ten Commandments | 165 |
A Hymn | 171 |
attempts to counteract the Thesis and Arsis or Pulsa | 178 |
Azims Entry to the Palace of Mokanna | 187 |
Distinction between Prose and Verse | 46 |
Measuring Prose and VerseChange of Time or Rhyth | 48 |
Words marked with proper Accent Quantity and Emphasis | 56 |
Definition of Music when applied to Song and to Speech | 65 |
Reformation of Prosodians not the only object of this | 72 |
Various passages selected as Exercises to be marked with | 78 |
Exercises to be marked with Thesis and Arsis Pause | 85 |
Exercises to be marked with Thesis and Arsis Bars or | 98 |
The Organs collectively considered as a Musical Instru | 128 |
Medoras Song | 193 |
Monody on the Princess Charlotte of Wales | 201 |
Speech of Brutus against Cæsar | 211 |
Hohenlinden | 217 |
On Delivery | 226 |
Accentual Slides among the Greeks posterior to the days | 228 |
Sense Taste and Genius distinguished | 230 |
عبارات ومصطلحات مألوفة
५५ accent accidents of language Æneid affections anapest apocope ARSIS and THESIS articulation beauty Blessed breath cadence or bar called CHAPTER choriambic cretic dactyl earth Elocution emphasis of sense English example eyes five cadences following lines grace Greek feet Hail hath hear heart heaven heavy and light heavy syllable hexametre iambus joys Latin languages length light syllables Lord loud lov'd manner mark melody metre mode of scanning molossus nature never night notes or syllables o'er poetry poize primus ab pronounce proper prose prosodians prosody pulsation and remission Pyrrhic quantity Quintilian Rationalis reading and speaking rests or pauses rhyth rhythmus rules of prosody SELECTED AS EXERCISES shades sing six cadences soft song soul sound speech spondee sweet teach thee Thesis and Arsis Thou shalt tion trochee variety voice whole words Δ Δ
مقاطع مشهورة
الصفحة 221 - These are thy glorious works, Parent of good, Almighty, thine this universal frame, Thus wondrous fair ; thyself how wondrous then ! Unspeakable, who sitt'st above these heavens, To us invisible, or dimly seen In these thy lowest works; yet these declare Thy goodness beyond thought, and power divine.
الصفحة 224 - Works in the secret deep ; shoots, steaming, thence The fair profusion that o'erspreads the Spring ; Flings from the Sun direct the flaming day; Feeds every creature ; hurls the tempest forth ; And, as on earth this grateful change revolves. With transport touches all the springs of life. Nature, attend : join every living soul, Beneath the spacious temple of the sky, In adoration join ; and ardent raise One general song.
الصفحة 110 - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side, Views wilds, and swelling floods, And hamlets brown, and dim-discovered spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.
الصفحة 185 - Gul* in her bloom ; Where the citron and olive are fairest of fruit, And the voice of the nightingale never is mute : Where the tints of the earth, and the hues of the sky, In...
الصفحة 209 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself. I was born free as Caesar ; so were you : We both have fed as well, and we can both Endure the winter's cold as well as he...
الصفحة 109 - O'erhang his wavy bed: Now air is hush'd, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn, As oft he rises, 'midst the twilight path Against the pilgrim borne in heedless hum...
الصفحة 136 - Our bruised arms hung up for monuments; Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures. Grim-visaged war hath smooth'd his wrinkled front; And now, instead of mounting barbed steeds To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing of a lute...
الصفحة 184 - KNOW ye the land where the cypress and myrtle Are emblems of deeds that are done in their clime? Where the rage of the vulture, the love of the turtle, Now melt into sorrow, now madden to crime...
الصفحة 118 - He was a scholar, and a ripe, and good one; Exceeding wise, fair spoken, and persuading : Lofty, and sour, to them that lov'd him not; But, to those men that sought him, sweet as summer.