The music, or melody of rhythmus of languageGeorg Olms Verlag |
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الصفحة iii
... SPEECH , VIZ . ACCENT , EMPHASIS , PAUSE , AND FORCE , OR QUALITY OF SOUND , ILLUSTRATED WITH SYMBOLICAL MARKS , AND A MUSICAL NOTATION : By which are Exhibited , and may be perpetuated , The True Cadence , Metre , and Rhythmus of the ...
... SPEECH , VIZ . ACCENT , EMPHASIS , PAUSE , AND FORCE , OR QUALITY OF SOUND , ILLUSTRATED WITH SYMBOLICAL MARKS , AND A MUSICAL NOTATION : By which are Exhibited , and may be perpetuated , The True Cadence , Metre , and Rhythmus of the ...
الصفحة v
... Speech , Division of the Organs of Speech , into Vocal and Enunciative , ' ib . Accurate knowledge of these , Indispensable to the correct teaching of the art of Reading and Speaking , Vocal and Enunciative Organs , how distinguished ...
... Speech , Division of the Organs of Speech , into Vocal and Enunciative , ' ib . Accurate knowledge of these , Indispensable to the correct teaching of the art of Reading and Speaking , Vocal and Enunciative Organs , how distinguished ...
الصفحة vi
... Speech measured , as well as in Music , Pauses , in Cadence , of equal importance with notes of Sound , ib . CHAP . V. ... 13 ... ib . ib . Emphatical Divisions of all Speech , causes of this , Grand distinction of Emphasis into THESIS ...
... Speech measured , as well as in Music , Pauses , in Cadence , of equal importance with notes of Sound , ib . CHAP . V. ... 13 ... ib . ib . Emphatical Divisions of all Speech , causes of this , Grand distinction of Emphasis into THESIS ...
الصفحة viii
... Speech , 41 42 ... ib . A great and common mistake , that though Teachers cannot pronounce correctly , they can instruct others to do so , ib . How Syllables differ from one another : Hints to Teachers , 43 CHAP . X. Distinction between ...
... Speech , 41 42 ... ib . A great and common mistake , that though Teachers cannot pronounce correctly , they can instruct others to do so , ib . How Syllables differ from one another : Hints to Teachers , 43 CHAP . X. Distinction between ...
الصفحة x
... Speech , 128 Force or Quality of Sound , when applied , Degrees of Walking Measure , how applied to Speech , ... ib . ib . ... CHAP . XIX . Exercises on the preceding rules , ... Reasons why Verse should be read before Prose , CHAP . XX ...
... Speech , 128 Force or Quality of Sound , when applied , Degrees of Walking Measure , how applied to Speech , ... ib . ib . ... CHAP . XIX . Exercises on the preceding rules , ... Reasons why Verse should be read before Prose , CHAP . XX ...
المحتوى
Music its Division into Sound and Measure or Melody | 6 |
Modulation of Voice | 7 |
Thesis and Arsis overlooked or misunderstood by Com | 16 |
Scanning by the Rules of Prosody destructive of our finest | 22 |
The Meagre Quantity allowed by Commentators Proso | 23 |
Lengths of Poetic lines no necessary part of Rhythmus | 28 |
Cadence what and how divided | 29 |
Quality of Cadences those admissible those inadmissible | 38 |
Sacred Pieces in Prose and Verse | 137 |
CHAP IV | 154 |
Habakkuk Chap | 159 |
CHAP V | 163 |
The Ten Commandments | 165 |
A Hymn | 171 |
attempts to counteract the Thesis and Arsis or Pulsa | 178 |
Azims Entry to the Palace of Mokanna | 187 |
Distinction between Prose and Verse | 46 |
Measuring Prose and VerseChange of Time or Rhyth | 48 |
Words marked with proper Accent Quantity and Emphasis | 56 |
Definition of Music when applied to Song and to Speech | 65 |
Reformation of Prosodians not the only object of this | 72 |
Various passages selected as Exercises to be marked with | 78 |
Exercises to be marked with Thesis and Arsis Pause | 85 |
Exercises to be marked with Thesis and Arsis Bars or | 98 |
The Organs collectively considered as a Musical Instru | 128 |
Medoras Song | 193 |
Monody on the Princess Charlotte of Wales | 201 |
Speech of Brutus against Cæsar | 211 |
Hohenlinden | 217 |
On Delivery | 226 |
Accentual Slides among the Greeks posterior to the days | 228 |
Sense Taste and Genius distinguished | 230 |
عبارات ومصطلحات مألوفة
५५ accent accidents of language Æneid affections anapest apocope ARSIS and THESIS articulation beauty Blessed breath cadence or bar called CHAPTER choriambic cretic dactyl earth Elocution emphasis of sense English example eyes five cadences following lines grace Greek feet Hail hath hear heart heaven heavy and light heavy syllable hexametre iambus joys Latin languages length light syllables Lord loud lov'd manner mark melody metre mode of scanning molossus nature never night notes or syllables o'er poetry poize primus ab pronounce proper prose prosodians prosody pulsation and remission Pyrrhic quantity Quintilian Rationalis reading and speaking rests or pauses rhyth rhythmus rules of prosody SELECTED AS EXERCISES shades sing six cadences soft song soul sound speech spondee sweet teach thee Thesis and Arsis Thou shalt tion trochee variety voice whole words Δ Δ
مقاطع مشهورة
الصفحة 221 - These are thy glorious works, Parent of good, Almighty, thine this universal frame, Thus wondrous fair ; thyself how wondrous then ! Unspeakable, who sitt'st above these heavens, To us invisible, or dimly seen In these thy lowest works; yet these declare Thy goodness beyond thought, and power divine.
الصفحة 224 - Works in the secret deep ; shoots, steaming, thence The fair profusion that o'erspreads the Spring ; Flings from the Sun direct the flaming day; Feeds every creature ; hurls the tempest forth ; And, as on earth this grateful change revolves. With transport touches all the springs of life. Nature, attend : join every living soul, Beneath the spacious temple of the sky, In adoration join ; and ardent raise One general song.
الصفحة 110 - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side, Views wilds, and swelling floods, And hamlets brown, and dim-discovered spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.
الصفحة 185 - Gul* in her bloom ; Where the citron and olive are fairest of fruit, And the voice of the nightingale never is mute : Where the tints of the earth, and the hues of the sky, In...
الصفحة 209 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself. I was born free as Caesar ; so were you : We both have fed as well, and we can both Endure the winter's cold as well as he...
الصفحة 109 - O'erhang his wavy bed: Now air is hush'd, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn, As oft he rises, 'midst the twilight path Against the pilgrim borne in heedless hum...
الصفحة 136 - Our bruised arms hung up for monuments; Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures. Grim-visaged war hath smooth'd his wrinkled front; And now, instead of mounting barbed steeds To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing of a lute...
الصفحة 184 - KNOW ye the land where the cypress and myrtle Are emblems of deeds that are done in their clime? Where the rage of the vulture, the love of the turtle, Now melt into sorrow, now madden to crime...
الصفحة 118 - He was a scholar, and a ripe, and good one; Exceeding wise, fair spoken, and persuading : Lofty, and sour, to them that lov'd him not; But, to those men that sought him, sweet as summer.