The Collected Works of William Hazlitt: Lectures on the English comic writers. A view of the English stage. Dramatic essays from 'The London magazine.'J. M. Dent & Company, 1903 |
من داخل الكتاب
النتائج 1-5 من 99
الصفحة 3
... On the English Novelists . 106 LECTURE VII . On the Works of Hogarth . On the Grand and Familiar Style of Painting LECTURE VIII . On the Comic Writers of the last Century 133 149 113 CALIFO LECTURES ON THE COMIC WRITERS , ETC. OF.
... On the English Novelists . 106 LECTURE VII . On the Works of Hogarth . On the Grand and Familiar Style of Painting LECTURE VIII . On the Comic Writers of the last Century 133 149 113 CALIFO LECTURES ON THE COMIC WRITERS , ETC. OF.
الصفحة 21
... style I shall have occasion to speak hereafter . - It is not always easy to distinguish between the wit of words and that of things . " For thin partitions do their bounds divide . ' Some of the late Mr. Curran's bon mots or jeux d ...
... style I shall have occasion to speak hereafter . - It is not always easy to distinguish between the wit of words and that of things . " For thin partitions do their bounds divide . ' Some of the late Mr. Curran's bon mots or jeux d ...
الصفحة 29
... style . Among other things , this little piece contains an exquisite , and almost unanswerable defence of the superiority of comedy over tragedy . Moliere was to be excused for taking this side of the question . A writer of some ...
... style . Among other things , this little piece contains an exquisite , and almost unanswerable defence of the superiority of comedy over tragedy . Moliere was to be excused for taking this side of the question . A writer of some ...
الصفحة 39
... style is as dry , as literal , and meagre , as Shakspeare's is exuberant , liberal , and unrestrained . The one labours hard , lashes himself up , and produces little pleasure with all his fidelity and tenaciousness of purpose : the ...
... style is as dry , as literal , and meagre , as Shakspeare's is exuberant , liberal , and unrestrained . The one labours hard , lashes himself up , and produces little pleasure with all his fidelity and tenaciousness of purpose : the ...
الصفحة 44
... style of comic dialogue . But I must refer to the play itself for them . The Fox , or Volpone , is his best play . It is prolix and im- probable , but intense and powerful . It is written con amore . It is made up of cheats and dupes ...
... style of comic dialogue . But I must refer to the play itself for them . The Fox , or Volpone , is his best play . It is prolix and im- probable , but intense and powerful . It is written con amore . It is made up of cheats and dupes ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
absurdity actor actress admirable appeared audience beauty Beggar's Opera better character Charles Kemble comedy comic Coriolanus Covent Garden criticism delight Don Quixote dramatic Drury Lane Drury-Lane effect English equal Essays Examiner excellence expression eyes fancy farce favourite feeling folly genius gentleman give grace Hamlet Hazlitt heart Hogarth Hudibras human humour Iago Ibid imagination imitation interest Kean Kean's Kemble Kemble's Lady laugh look Lord lover ludicrous Macbeth manner mind Miss Kelly Miss O'Neill moral nature never night Opera Othello passion person piece play pleasure plot poet poetry Pope produced refinement Richard Richard III ridiculous scene School for Scandal seems sense sentiment Shakespear shew Shylock singing song soul spirit stage style supposed taste Tatler Theatre theatrical thing thou thought Tom Jones tone tragedy Twelfth Night voice whole wife words writer young
مقاطع مشهورة
الصفحة 182 - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
الصفحة 179 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
الصفحة 47 - Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can't move her, Looking ill prevail? Prithee, why so pale?
الصفحة 386 - Methinks I should know you and know this man; yet I am doubtful: for I am mainly ignorant what place this is, and all the skill I have remembers not these garments; nor I know not where I did lodge last night.
الصفحة 48 - Her lips were red; and one was thin Compared to that was next her chin, Some bee had stung it newly: But, Dick, her eyes so guard her face, I durst no more upon them gaze Than on the sun in July.
الصفحة 385 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
الصفحة 407 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
الصفحة 239 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides...
الصفحة 384 - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.
الصفحة 15 - Wit lying most in the assemblage of Ideas, and putting those together with quickness and variety, wherein can be found any resemblance or congruity, thereby to make up pleasant Pictures, and agreeable Visions in the fancy...