Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 88
... arise evidently from false assumptions , and , by circumscribing the extent of the drama , lessen its variety , I cannot think it much to be lamented that they were not known by him , or not observed : nor , if such another poet could arise ...
... arise evidently from false assumptions , and , by circumscribing the extent of the drama , lessen its variety , I cannot think it much to be lamented that they were not known by him , or not observed : nor , if such another poet could arise ...
الصفحة 97
... arise from visible objects , either when we have them actually in our view , or when we call up their ideas into our minds by paintings , statues , descriptions , or any the like occasion . We cannot indeed have a single image in the ...
... arise from visible objects , either when we have them actually in our view , or when we call up their ideas into our minds by paintings , statues , descriptions , or any the like occasion . We cannot indeed have a single image in the ...
الصفحة 104
... arise from words , with the ideas that arise from the objects themselves ; and why this operation of the mind is attended with so much pleasure , we have before considered . For this reason therefore , the description of a dunghill is ...
... arise from words , with the ideas that arise from the objects themselves ; and why this operation of the mind is attended with so much pleasure , we have before considered . For this reason therefore , the description of a dunghill is ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing