Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 62
... cause is clearly comprehended by him who feels it , whether it be admira- tion , terror , or joy ; and I call the very same passions en- thusiasms , when their cause is not clearly comprehended by him who feels them . Passion is more to ...
... cause is clearly comprehended by him who feels it , whether it be admira- tion , terror , or joy ; and I call the very same passions en- thusiasms , when their cause is not clearly comprehended by him who feels them . Passion is more to ...
الصفحة 178
... cause of the sublime . This is too evident , and the observation too common , to need any illustration : it is not so common to consider in what ways greatness of dimension , vastness of extent or quantity , has the most striking effect ...
... cause of the sublime . This is too evident , and the observation too common , to need any illustration : it is not so common to consider in what ways greatness of dimension , vastness of extent or quantity , has the most striking effect ...
الصفحة 188
... causes . In the first place , greatness of dimension is a powerful cause of the sublime ; the picturesque has no connection with dimension of any kind ( in which it differs from the beautiful also ) and is as often found in the smallest ...
... causes . In the first place , greatness of dimension is a powerful cause of the sublime ; the picturesque has no connection with dimension of any kind ( in which it differs from the beautiful also ) and is as often found in the smallest ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing