Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 15
... classical orthodoxy and ' squared by the rule of Greece and Rome ' ; and in the field of literary criticism it is ... classical tradition is , however , only one element in the literature and criticism of the century ; and , while it is ...
... classical orthodoxy and ' squared by the rule of Greece and Rome ' ; and in the field of literary criticism it is ... classical tradition is , however , only one element in the literature and criticism of the century ; and , while it is ...
الصفحة 21
... classical doctrine , English thought in the seventeenth and eighteenth centuries never succumbed to classical domination . As early as 1602 Daniel had claimed the right of the nations of modern Europe to develop their own poetic genius ...
... classical doctrine , English thought in the seventeenth and eighteenth centuries never succumbed to classical domination . As early as 1602 Daniel had claimed the right of the nations of modern Europe to develop their own poetic genius ...
الصفحة 26
... classical ' and the ' Gothic , ' and between the medieval and the modern . The study of Milton was of special importance in this connexion . Milton's poetry was at first regarded from the neo - classical point of view : thus Addison ...
... classical ' and the ' Gothic , ' and between the medieval and the modern . The study of Milton was of special importance in this connexion . Milton's poetry was at first regarded from the neo - classical point of view : thus Addison ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing