Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 98
... delights the soul , as much as a demonstra- tion ; and a description in Homer has charmed more readers than a chapter ... delight in the very disgust it gives us , as any of these three qualifications are most conspicuous and prevailing ...
... delights the soul , as much as a demonstra- tion ; and a description in Homer has charmed more readers than a chapter ... delight in the very disgust it gives us , as any of these three qualifications are most conspicuous and prevailing ...
الصفحة 101
... delight , and a kind of fondness for the places or objects in which we discover it . This consists either in the gaiety or variety of colours , in the symmetry and proportion of parts , in the arrangement and disposition of bodies , or ...
... delight , and a kind of fondness for the places or objects in which we discover it . This consists either in the gaiety or variety of colours , in the symmetry and proportion of parts , in the arrangement and disposition of bodies , or ...
الصفحة 105
... delight in such passages as are apt to produce hope , joy , admiration , love , or the like emotions in us , because they never rise in the mind without an inward pleasure which attends them . But how comes it to pass , that we should ...
... delight in such passages as are apt to produce hope , joy , admiration , love , or the like emotions in us , because they never rise in the mind without an inward pleasure which attends them . But how comes it to pass , that we should ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing