Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 29
... equally skilful in his rendering of simple English landscape , and was a great master of the presentation of skies , of light , and of water . Wilson and his contemporaries , George Lambert , Samuel Scott , George Barret , John Inigo ...
... equally skilful in his rendering of simple English landscape , and was a great master of the presentation of skies , of light , and of water . Wilson and his contemporaries , George Lambert , Samuel Scott , George Barret , John Inigo ...
الصفحة 135
... equally and indispensably necessary to the connoisseur . The first idea that occurs in the consideration of what is fixed in art , or in taste , is that presiding principle of which I have so frequently spoken in former discourses — the ...
... equally and indispensably necessary to the connoisseur . The first idea that occurs in the consideration of what is fixed in art , or in taste , is that presiding principle of which I have so frequently spoken in former discourses — the ...
الصفحة 188
... equally distinct from the sublime ; for though there are some qualities common to them both , yet they differ in many essential points , and proceed from very different causes . In the first place , greatness of dimension is a powerful ...
... equally distinct from the sublime ; for though there are some qualities common to them both , yet they differ in many essential points , and proceed from very different causes . In the first place , greatness of dimension is a powerful ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing