Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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النتائج 1-3 من 79
الصفحة 76
... Genius : Genius and the Rules There is no character more frequently given to a writer , than that of being a genius . I have heard many a little sonneteer called a fine genius . There is not an heroic scribbler in the nation , that has ...
... Genius : Genius and the Rules There is no character more frequently given to a writer , than that of being a genius . I have heard many a little sonneteer called a fine genius . There is not an heroic scribbler in the nation , that has ...
الصفحة 94
... genius , but the power of accomplishing great things without the means generally reputed necessary to that end ? A genius differs from a good understanding as a magician from a good architect : that raises his structure by means ...
... genius , but the power of accomplishing great things without the means generally reputed necessary to that end ? A genius differs from a good understanding as a magician from a good architect : that raises his structure by means ...
الصفحة 200
... genius . Addison sees genius as attaining moments of beauty and sub- limity beyond the reach of imitation ; works of genius , he says , rise above the Rules , and in the last resort it is irrelevant to apply formal and authoritarian ...
... genius . Addison sees genius as attaining moments of beauty and sub- limity beyond the reach of imitation ; works of genius , he says , rise above the Rules , and in the last resort it is irrelevant to apply formal and authoritarian ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing