Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 61
... harmony . For harmony only distinguishes its instrument from that of prose , but passion distinguishes its very nature and character . For therefore poetry is poetry , because it is more passionate and sensual than prose . A discourse ...
... harmony . For harmony only distinguishes its instrument from that of prose , but passion distinguishes its very nature and character . For therefore poetry is poetry , because it is more passionate and sensual than prose . A discourse ...
الصفحة 62
... harmony is usually diffused throughout it . But passion answers the two ends of poetry better than harmony can do , and upon that account is preferable to it : for first it pleases more , which is evident : for passion can please ...
... harmony is usually diffused throughout it . But passion answers the two ends of poetry better than harmony can do , and upon that account is preferable to it : for first it pleases more , which is evident : for passion can please ...
الصفحة 167
... Harmony ' also denotes our pleasant ideas arising from composition of sounds , and ' a good ear ' ( as it is generally taken ) a power of perceiving this pleasure . In the following sections , an attempt is made to dis- cover " what is ...
... Harmony ' also denotes our pleasant ideas arising from composition of sounds , and ' a good ear ' ( as it is generally taken ) a power of perceiving this pleasure . In the following sections , an attempt is made to dis- cover " what is ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing