Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 133
... perfection is not ostentatious ; it lies hid , and works its effect , itself unseen . It is the proper study and labour of an artist to uncover and find out the latent cause of conspicuous beauties , and from thence form principles of ...
... perfection is not ostentatious ; it lies hid , and works its effect , itself unseen . It is the proper study and labour of an artist to uncover and find out the latent cause of conspicuous beauties , and from thence form principles of ...
الصفحة 164
... Perfection Now if in the way of polite pleasure the study and love of beauty be essential , the study and love of symmetry and order , on which beauty depends , must also be essential in the same respect . ' Tis impossible we can ...
... Perfection Now if in the way of polite pleasure the study and love of beauty be essential , the study and love of symmetry and order , on which beauty depends , must also be essential in the same respect . ' Tis impossible we can ...
الصفحة 165
... perfection into his work , if he has not at least the idea of perfection to give him aim , he will be found very defective and mean in his performance . Though his intention be to please the world , he must nevertheless be , in a manner ...
... perfection into his work , if he has not at least the idea of perfection to give him aim , he will be found very defective and mean in his performance . Though his intention be to please the world , he must nevertheless be , in a manner ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing