Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 181
... qualities themselves , but to the qualities they signify ; and , of consequence , that the qualities of matter are not to be considered as sublime or beautiful in themselves , but as being the signs or expressions of such qualities , as ...
... qualities themselves , but to the qualities they signify ; and , of consequence , that the qualities of matter are not to be considered as sublime or beautiful in themselves , but as being the signs or expressions of such qualities , as ...
الصفحة 182
... qualities which signify such powers or affections , produce in us immediately the peculiar emotions which , by the laws of our nature , the mental qualities are fitted to produce . But beside these , there are other means by which the ...
... qualities which signify such powers or affections , produce in us immediately the peculiar emotions which , by the laws of our nature , the mental qualities are fitted to produce . But beside these , there are other means by which the ...
الصفحة 186
... qualities which uniformly produce the same effects in all visible objects , and , according to the same analogy , in objects of hearing and of all the other senses ; and which qualities ( though frequently blended and united with others ...
... qualities which uniformly produce the same effects in all visible objects , and , according to the same analogy , in objects of hearing and of all the other senses ; and which qualities ( though frequently blended and united with others ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing