Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 57
... Rules Painting is an art that requires a genius , and yet cannot be justly performed without the rules of art . The proportion of a man standing upright , is eight times the length of his head : the arms hanging straight down , reach ...
... Rules Painting is an art that requires a genius , and yet cannot be justly performed without the rules of art . The proportion of a man standing upright , is eight times the length of his head : the arms hanging straight down , reach ...
الصفحة 59
... rules , that is , a strict attendance to the rules of Nature and Reason , can never embarrass or clog an author's fancy , but rather enlarge and extend it . They might as well urge , that good and wholesome laws that enjoin nothing but ...
... rules , that is , a strict attendance to the rules of Nature and Reason , can never embarrass or clog an author's fancy , but rather enlarge and extend it . They might as well urge , that good and wholesome laws that enjoin nothing but ...
الصفحة 79
... rules of art , than in adhering to them ; and , secondly , That there is more beauty in the works of a great genius who is ignorant of all the rules of art , than in the works of a little genius , who not only knows , but scrupulously ...
... rules of art , than in adhering to them ; and , secondly , That there is more beauty in the works of a great genius who is ignorant of all the rules of art , than in the works of a little genius , who not only knows , but scrupulously ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing