Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 18
... sense , and to penetrate to the laws governing both the external universe and the world of man and society . To do this he must be guided by Reason , or by ' Good Sense ' or ' Common Sense . ' As the need for these qualities had been ...
... sense , and to penetrate to the laws governing both the external universe and the world of man and society . To do this he must be guided by Reason , or by ' Good Sense ' or ' Common Sense . ' As the need for these qualities had been ...
الصفحة 96
... Sense of Sight Our sight is the most perfect and most delightful of all our senses . It fills the mind with the largest variety of ideas , converses with its objects at the greatest distance , and continues the longest in action without ...
... Sense of Sight Our sight is the most perfect and most delightful of all our senses . It fills the mind with the largest variety of ideas , converses with its objects at the greatest distance , and continues the longest in action without ...
الصفحة 170
... sense of beauty , antecedent to prospects even of this advantage , without which sense , these objects would not be thus advantageous , nor excite in us this pleasure which constitutes them advantageous . Our sense of beauty from ...
... sense of beauty , antecedent to prospects even of this advantage , without which sense , these objects would not be thus advantageous , nor excite in us this pleasure which constitutes them advantageous . Our sense of beauty from ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing