Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 من الصفحات |
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الصفحة 63
... sort and some degree of passion . And ' tis the expression of this passion which gives us so much pleasure , both in ... sort of passions these are , that thus unknown to us flow from these thoughts , to him I answer , that the same sort ...
... sort and some degree of passion . And ' tis the expression of this passion which gives us so much pleasure , both in ... sort of passions these are , that thus unknown to us flow from these thoughts , to him I answer , that the same sort ...
الصفحة 109
... sort of poetry . For the English are naturally fanciful , and very often disposed by that gloominess and melancholy of temper , which is so frequent in our nation , to many wild notions and visions , to which others are not so liable ...
... sort of poetry . For the English are naturally fanciful , and very often disposed by that gloominess and melancholy of temper , which is so frequent in our nation , to many wild notions and visions , to which others are not so liable ...
الصفحة 142
... sort of people ; and therefore the images of life were to be drawn from those of their own rank . Accordingly we find that not our author's only but almost all the old comedies have their scene among tradesmen and mechanics ; and even ...
... sort of people ; and therefore the images of life were to be drawn from those of their own rank . Accordingly we find that not our author's only but almost all the old comedies have their scene among tradesmen and mechanics ; and even ...
المحتوى
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
حقوق النشر | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing